Keep Your Day Job

Who doesn’t have the great American novel waiting to be written? Or maybe it’s a collection of poetry begging to spill on to pages of a book? Nearly everyone I talk to confesses at some point to harboring the dream of being a published author. Writing groups are gaining in popularity, with members ranging from the pure dreamers to ambitious authors who have prepared a manuscript and are searching for the path to publication. Are you one of these writers?

The dream of having your book published is accompanied by the expectation that it will be purchased to be read; that fortune will accompany fame, or at least cover your publishing costs. This hope exists whether your book is published traditionally or self-published.

With traditional publishers, production, distribution and related professional costs are born by the publishing company but authors have become more responsible for their own promotional efforts; and the book’s “life” is under the control of the publisher. Self-published authors bear total responsibility and costs but maintain total control of every step.

Whether you go the traditional route or self-publish, keep your day job. Until your book sells in the several thousands of copies, the only riches you will receive will be the knowledge that some people are reading your work. How can this be when hardcover books sell for $25 and up, a paperbacks sell for $15 and up, and eBooks run $7 and up? Where does the money go?

Welcome to “trickle down income” in the publishing world. If your book is published traditionally, you will periodically be paid a royalty for books sold after the publisher deducts all its costs plus its profit. If you self-publish, you pay yourself … after you pay anyone you employ to get your book into the hands of readers: editor, proofreader, technical formatter, cover designer, printer, (possibly a warehouse), distributor, marketer, (maybe a web designer), administrator.

Production is not necessarily the most expensive factor. Distribution takes a huge bite off the retail price. Authors can expect a wholesale discount of 40 percent to be taken off the retail price by major book stores and big box stores. Libraries typically take a 20 percent discount. Distributors take 15 percent on top of those discounts. Sellers such as Amazon and Barnes & Noble act as both distributor and seller, taking 55 percent off your retail price. If you use an agent, expect 10-15 percent off the wholesale price to be collected for services.

Ongoing promotion is a book’s life insurance. Regardless of how a book is published, authors are expected to oversee this job. Maintaining websites, arranging book signings, giving talks and doing interviews are some of the recommended promotional activities.

Some expenses occur once while others will be recurring. Every responsibility you handle yourself rather than hire out is more money in your pocket … if you know what you’re doing and you don’t mind spending your time on it … time you could use to write your next book.

Scared? Don’t be. Knowledge is power. Empower yourself by learning all the aspects of taking your brainchild from start to a successful finish. But, at least for now, don’t quit your day job.

Quotable

I still encourage anyone who feels at all compelled to write to do so. I just try to warn people who hope to get published that publication is not all it is cracked up to be. But writing is. Writing has so much to give, so much to teach, so many surprises. That thing you had to force yourself to do—the actual act of writing—turns out to be the best part. It’s like discovering that while you thought you needed the tea ceremony for the caffeine, what you really needed was the tea ceremony. The act of writing turns out to be its own reward. – Anne Lamott

Publishing a book is like stuffing a note into a bottle and hurling it into the sea. Some bottles drown, some come safe to land, where the notes are read and then possibly cherished, or else misinterpreted, or else understood all too well by those who hate the message. You never know who your readers might be. – Margaret Atwood

An author who gives a manager or publisher any rights in his work except those immediately and specifically required for its publication or performance is for business purposes an imbecile. – George Bernard Shaw

On Your Mark

I keep several books on my nightstand. I read them at different times and for various reasons but I never read any of them in their entirety in one sitting. I suppose I could just keep an eReader on my nightstand and jump around from digital book to digital book. But I appreciate the printed page, the sight, smell, feel and heft of a traditional book in my hands. Because of my fondness for printed books, with covers and spines and pages I can turn, I have a collection of bookmarks to keep my place in each edition.

Bookmarks should be as carefully chosen as the books themselves. No dog-eared corners, paper clips or indiscriminate inserts for my books. My bookmarks are made of cloth or paper or leather or metal. Their designs may be geometrical or symbolic or illustrative. Some have messages, poems or quotes. Some have fringes or attached ribbons. Some of my bookmarks were given to me as gifts, which add to the pleasure of their use, remembering the person and circumstance of each gift. I’ve also found great pleasure in choosing bookmarks that evoke some pleasant emotion or introspective thought every time I see them.

A bookmark is the familiar welcome to whatever new world the reader is about to enter. Treat yourself to one every now and then. Treat someone you care about to one. Places that sell bookmarks include bookstores, stationery stores, museums and online. Or make your own. Whether your bookmark is traditional or whimsical, let it express who you are as a reader.

Quotable

And you read your Emily Dickinson,
And I, my Robert Frost,
And we note our place with bookmarkers
That measure what we’ve lost.

– Simon and Garfunkel, The Dangling Conversation, Parsley, Sage, Rosemary, and Thyme

The disadvantage with people is that you can’t put bookmarks in them and set them aside till you want them again.
– Orson Scott Card, Treasure Box

Gone Fishin’

I’m taking a 2-week break from blogging. No, not vacation. Fishin’ for book sales as part of a 2-day Tyrone Power Centennial Celebration in Wilmington, North Carolina. For information about the two events taking place, visit TCM News. The lead story and the third feature story are two examples of how to promote a book by relating it to other events.

My weekly blog will return September 28th.

Falling for Autumn

More than any other season, autumn is the most emotionally complex, releasing the full spectrum of human sentiments. Some view it as a beginning; the Jewish New Year begins in autumn, as do school years, football and basketball seasons. Some regard it as the season of abundance when the harvest comes in. Yet others sink into melancholy as sunlight hours decrease and the chilling of the air portends the arrival of winter. People refer to their later years as the autumn of their lives. Nature mercifully provides a burst of color in this season, a visual kiss before baring the landscape and chasing us indoors.

Not surprisingly, autumn generously lends itself to literature and is well represented in poetry, novels and short fiction. Browning (both Robert and Emily), Frost, Keats, Sandburg, Shelley and Whitman are some of the notable poets who have woven autumn into their work. To Autumn by Keats (1795-1821) lusciously details the season from beginning to end, creating an allegory for aging and death.

Novels that use autumn to great effect include Fitzgerald’s The Great Gatsby, Lee’s East of Eden, Eco’s The Name of the Rose, Marquez’s The Autumn of the Patriarch and Irving’s spooky The Legend of Sleepy Hollow. Some authors are closely associated with autumn through their writing; they include Poe, Doyle, du Maurier and Stephen King.

Before you know it, you’ll be donning sweaters, raking leaves, enjoying everything to do with apples, spending more time indoors and looking for activities that lift the spirit and warm the soul. What a great time of year to immerse yourself in good books connected to this most interesting of seasons.

Quotable

Autumn is a second spring when every leaf is a flower. – Albert Camus
Autumn … the year’s last, loveliest smile. ― William Cullen Bryant
I loved autumn, the one season of the year that God seemed to have put there just for the beauty of it. ― Lee Maynard
[T]hat old September feeling, left over from school days, of summer passing, vacation nearly done, obligations gathering, books and football in the air … Another fall, another turned page: there was something of jubilee in that annual autumnal beginning, as if last year’s mistakes had been wiped clean by summer. — Wallace Stegner

Recommended

Check TCM News for information about the two-day Tyrone Power Centennial Celebration in Wilmington, NC, on September 18th and 19th, where you can purchase a collector’s quality limited first edition of Searching for My Father, Tyrone Power by Romina Power. Tyrone Power’s children will be at the events honoring their father and signing books.

If you live or work in or near Milwaukee, mark October 18th on your calendar. The Charles Atlas Art Museum will celebrate the Tyrone Power Centennial with a reception, film historian Dale Kuntz’s interview with actress Taryn Power Greendeer and a screening of the Oscar-nominated classic, Suez. The collector’s quality limited first edition of Searching for My Father, Tyrone Power by Romina Power will be available for purchase and autographing by Taryn.

For more information about these events and the book, contact
tyronepower.firstedition@gmail.com

The Pains & Passions of Labor

It is interesting – and disappointing – to see how organized labor is losing ground in the United States. I say this, not as a political statement but as an historic observation. Like so many advancements we take for granted, many of the labor laws that restrict abuses against workers and provide life-enhancing benefits for society were achieved through the efforts and sacrifices of union organizers and members.

Organized labor has lost support in recent years, in part due to its own management, political manipulation, and Capitalist efforts to maximize profits for investors and owners. Almost certainly, time’s effect on memory along with the encroaching distractions of everyday life has pushed understanding of the forces behind worklife to the background for most workers. To forget or to ignore is to lose ground that was hard fought and won over the decades, jeopardizing the relatively new labor advancements we take for granted; these include limited work hours, safety regulations, child labor laws, environmental protections, a minimum wage and negotiated benefits through collective bargaining.

The history of labor through the decades and centuries has been the basis of some excellent non-fiction literature and the inspiration for classic fiction.

Among non-fiction books of note are:

Triangle: The Fire That Changed America by David von Drehle
Growing Up in Coal Country by Susan Campbell Bartoletti
Free the Children: A Young Man Fights Against Child Labor and Proves that Children Can Change the World by Craig Kielburger and Kevin Major
Nickel and Dimed by Meredith Melnick
The Labor Wars: From the Molly Maguires to the Sit-Downs by Sidney Lens
Death in the Haymarket: A Story of Chicago, the First Labor Movement, and the Bombing That Divided Gilded Age America by James Green

Classic fiction inspired by workers and labor unions include:

Ironweed by William Kennedy
The Jungle by Upton Sinclair
The Grapes of Wrath by John Steinbeck

On this Labor Day holiday, as you celebrate with family or friends in a leisurely way, you may want to check out one of many good books about workers and organized labor to read about how we arrived where we are. Let the books inspire you to work at making work better for everyone.

Quotable

I’ve always been amused by the contention that brain work is harder than manual labor. I’ve never known a man to leave a desk for a muck-stick if he could avoid it. – John Steinbeck

Labor is prior to, and independent of, capital. Capital is only the fruit of labor, and could never have existed if labor had not first existed. Labor is the superior of capital, and deserves much the higher consideration. — Abraham Lincoln

Where free unions and collective bargaining are forbidden, freedom is lost. — Ronald Reagan

Recommended

If you’ll be within a couple of hours of Wilmington, North Carolina, September 18th or 19th, you’ll have a double chance to buy a collector’s quality limited edition of the book as part of a 2-day Centennial celebration of screen legend Tyrone Power. This updated and expanded English language version of Romina’s 1998 Italian best seller made its debut this year and is available only at Centennial events.

On September 18th, a March of Dimes fundraiser luncheon at the Country Club of Landfall will honor Tyrone Power who, among his many charitable activities, was a longtime supporter of March of Dimes. On September 19th, historic Thalian Hall (where Tyrone Power Sr. starred in Macbeth in 1888) will celebrate Tyrone Power with a special reception and screening of the great John Ford film, The Long Gray Line, showcasing Tyrone Power’s superb acting and enduring appeal.

You’ll have a chance to meet Romina (an international star in her own right), along with her acting siblings Taryn and Tyrone Jr. at both events where they will autograph books. If you can’t make it to Wilmington but would like information about other Centennial events, the collector’s first edition of Searching for My Father, Tyrone Power or the trade edition of the book that will be published later this year, contact tyronepwer.firstedition@gmail.com.

Cover Controversy

My April 28, 2013 blog – The Great Cover-Up – discussed the impact of book covers on sales. I was reminded of the post when I learned of the uproar over a recently released edition of Roald Dahl’s Charlie and the Chocolate Factory. It seems the latest cover of the classic book – written for children but carrying the undercurrent of adult themes – has a decidedly adult image; it features a young girl who hauntingly resembles the murdered Jon Benet Ramsey and most little pageant queens in the Toddlers and Tiaras television show.

Presumably, the girl on the cover represents one of the significant characters in the book, but she is not the most significant character or even the most significant secondary character. However, her depiction on the cover is intentionally shocking. Some critics call the new cover “creepy”.

This is a far cry from previous covers of Charlie and the Chocolate Factory that are brightly colored and usually cartoonish; the most famous popular cover was the 1995 fourth edition cover, created by illustrator Quentin Blake who frequently collaborated with Dahl on his books.

While the publisher of the Modern Classic edition (Penguin UK) intended their new version to attract adult readers, it is disconcerting to readers who consider this as solely a children’s book, imagining the characters as depicted on earlier covers or through Technicolor fantasy movies.

A similar backlash was launched after the Leonardo DiCaprio movie version of The Great Gatsby became the source of a new book cover, replacing the iconic design chosen by the author, F. Scott Fitzgerald.

“People respond the way they do because they care, and they care about the book the way they remember it,” said Chip Kidd, a New York-based graphic designer who churns out about 75 book covers a year.

Classics are classics for a reason. People embrace the full book experience – at least with printed books; eBooks are less likely to build the same adoration. Classics remain with us, they are ageless. They feel more solid and reliable, not fleeting like the images and messages that bombard us daily through modern technology and a changing culture.

Covers count.

Recommended

One of the most touching covers you’ll see is the one on Searching for My Father, Tyrone Power by Romina Power. If you’ll be in the Wilmington, North Carolina, area September 18th or 19th, you’ll have a double chance to buy a collector’s quality limited edition of the book as part of a 2-day Centennial celebration of screen legend Tyrone Power. This updated and expanded English language version of Romina’s 1998 Italian best seller made its debut this year and is available only at Centennial events.

On September 18th, a March of Dimes fundraiser luncheon at the Country Club of Landfall will honor Tyrone Power who, among his many charitable activities, was a longtime supporter of March of Dimes. On September 19th, historic Thalian Hall (where Tyrone Power Sr. starred in Macbeth in 1888) will hold a special reception and screening of the great John Ford film, The Long Gray Line, showcasing Tyrone Power’s superb acting and enduring appeal.

You’ll have a chance to meet Romina (an international star in her own right), along with her acting siblings Taryn and Tyrone Jr. at both events where they will autograph books. If you can’t make it to Wilmington but would like information about other Centennial events, the collector’s first edition of Searching for My Father, Tyrone Power or the trade edition of the book that will be published later this year, contact tyronepwer.firstedition@gmail.com.

Picture This

Most of us started reading with the help of picture books. Some of us moved on to comic books. Some of us moved on to graphic novels. All of us, it’s safe to say, have continued to read books that sometimes have pictures – photos or illustrations.

When we think of pictures in adult fiction, we tend to think of graphic novels with drawings. But fiction can also benefit from photos. An excellent example is Carol Shields’ Pulitzer Prize-winning The Stone Diaries. Shields cleverly employs photos and even a faux family tree to convince us of the reality of her fictional autobiography. While her writing paints vivid time, place and characters in the mind’s eye, the addition of photos solidifies her view for us.

Jack Finney, in Time and Again and its sequel, From Time to Time successfully uses illustrations and photos to enhance his stories. The promotional blurb on Time and Again calls the book “the classic illustrated novel”.

The concept of photos dates back at least as far as 1892 and Bruges-la-Morte by Belgian writer George Rodenbach, the first known work of fiction illustrated with photos . Since then, other notable novels employing photos include Orlando by Virginia Woolf and Jonathan Safran Foer’s Extremely Loud and Incredibly Close.

As more authors incorporate pictures in their fictional works, scholars are suggesting these books have their own genre. Suggested names for the genre include “iconotexts”, “image-texts”, “pictorial fiction”, “visual fiction” and the tripping-off-the-tongue “photography-embedded fiction”. Don’t worry what to call it … just picture it!

Quotable

It occurs to her that she should record this flash of insight in her journal – otherwise she is sure to forget, for she is someone who is always learning and forgetting and obliged to learn again… — Carol Shields, The Stone Diaries

Words are our life. We are human because we use language. So I think we are less human when we use less language. – Carol Shields

Paperbacks – The Hybrid Book?

When I’m home, I prefer to read hardcover books but when I travel, I choose paperbacks. The reason is obvious: portability. Eventually, I will give in and get an eReader because it trumps paperbacks for portability, except that paperbacks don’t require battery power. With digital books, I will miss the sensory pleasures one gets with the touch or smell of paper that paperbacks offer. Even with an eReader, I’ll probably still carry a paperback when I travel.

I hadn’t given much thought to the health of the paperback industry until a couple of months ago when I saw an obituary for a man named Oscar Dystel. No, I hadn’t heard of him either, but I learned he was the publisher who “saved the paperback” in the mid-1950s.

When Dystel arrived at Bantam Books, founded in 1945 to maximize profits from new paperback production advances, the company had gorged on success but overextended itself and was on the brink of bankruptcy. As Bantam’s new president, Dystel reduced inventory while expanding publication to classics, school and children’s books. He also had a keen sense for what the public would respond to: appealing covers on the outside and riveting stories on
the inside. In just a few short years, he turned around Bantam Books, setting new standards that other publishers followed.

Another major paperback publisher, Penguin, celebrated its history in 2009 with a commemorative retrospective book, The Book of Penguin. It opens, “This is a book about the most advanced form of entertainment ever. You can pause it at any time. Rewind and replay it if you miss a bit … It’ll fit in your pocket. It’s interactive … It’s pretty cheap. It’s completely free to share. And it lasts a lifetime. This is a book about books.”

In the five years since that self-celebration, eBooks have swept the market. In 2011, Amazon reported that eBooks outsold paperbacks and hardcovers combined. The upward trajectory of eBooks continued, at the expense of paperbacks. The 2013 BookStats report noted that eBook sales grew 45 percent since 2011, capturing 20% of the trade market. More ominously, Publishers Weekly said trade paperbacks saw a sales decline of 8.6 percent and total mass-market paperback sales fell by 20.5 percent between 2011 and 2012.

Before you mourn the death of paperbacks, consider this: sales reports don’t account for secondhand sales. There are no secondhand eBooks but secondhand paperbacks are wildly popular. Also, there are some genres that don’t sell well as eBooks but flourish in paperback form; popular narrative nonfiction and the pop-science books, for example.

The strongest hope for the continuation of paperbacks may lay with the intense market interest in indie books, a key force behind the growing popularity of indie bookstores. Readers are searchers. The physicality and staff experience offered by those stores offer “discoverability” – an element missing from digital books and online booksellers. Paperbacks make discoverability more affordable.

The role of books in all their forms is evolving. Fortunately, there’s a place for all of them.

Quotable

The paperback is very interesting but I find it will never replace the hardcover book – it makes a very poor doorstop. – Alfred Hitchcock

Under the Skin & Across the Gender Line

If men are from Mars and women are from Venus, can we ever really understand each other? If it’s so hard for people to understand how the opposite gender thinks, how is it possible that some authors write so fabulously from the opposite gender’s view?

It’s really no different from a writer of a particular age, religion, race, nationality, ethnic group, or social standing creating believable characters who are at the other end of the spectrum. Crossing gender lines requires getting under the skin of the character, acknowledging universal human qualities, thoughts and feelings, then respecting that character’s otherness. In a word, it requires empathy. One must be able to feel what another experiences, then imagine how those feelings would make the other one respond. Even if the writer does not like what a character does, the writer must feel the reasoning behind the action. Because it is the character’s “truth”, even if it is not the author’s.

Armed with empathy, all good authors also have a keenly developed sense of observation. They break through clichés to notice the details that make us unique and alike, the exotic and the familiar. For a character to be interesting and memorable, readers have to recognize aspects of themselves while being amazed or amused by differences. That’s what great authors bring to their characters, even when the main character is of the opposite gender.

Authors who have been especially successful creating main characters of the opposite gender include Gustave Flaubert (Madame Bovary), Mary Shelley (Frankenstein), Lewis Carroll (Alice in Wonderland), Edith Wharton (Ethan Frome), Leo Tolstoy (Anna Karenina), George Eliot (Silas Marner and Middlemarch), Theodore Dreiser (Sister Carrie), J.K. Rowling (Harry Potter) and Steven King (Carrie and Dolores Claiborne). Of note is the very contemporary indie novel Transition to Murder (originally published as Coming Out Can Be Murder) by Renee James. This excellent crime thriller/psychosocial study is written by a transgender woman whose main character is a transgender woman going through the transition from living as a male to living as a female while seeking justice for a murdered transgender friend.

When an author successfully crosses the gender line and gets under the skin of a character, the journey is so smooth that we don’t realize the bend at the beginning of the path.

Footnotes

A study by David Comer Kidd and Emanuele Castano, of the psychology department at New York’s New School for Social Research, suggests that reading literary fiction (compared to pop fiction) better prepares people to sense and understand others’ emotions. The study, published in the journal Science, suggests that literary fiction “may change how, not just what, people think about others.”

Get a Spine

In a recent gathering of writers, the discussion turned to book cover design and, more specifically, book spine design. Even more specifically, how often book sales are lost because authors and publishers overlook this crucial part of a book.

As important as a book’s cover is, it’s usually the book’s spine that first greets us on the shelves of stores and libraries. It’s one thing if we’re looking for a particular title or author, another if we’re browsing. Truth is we’re browsing even when we’re looking for a particular title or author. This is why book spine design deserves at least as much attention from authors and publishers as they give to cover design.

Since shelved books usually stand vertically, the ideal direction for type on the spine is horizontal to make words appear as we normally view them. But this is problematic if the book is not fat or the words are long. Most books cannot support this design. Instead, letters are usually turned at right angles to the viewer’s eye, running along the vertical spine. Because this is not the normal way we view writing, it has to be even clearer than it would otherwise have to be.

In North America, the normal direction of words on book spines is from top to bottom; in Europe, it’s usually bottom to top. This is because in North America, books are stacked face up, while in Europe, they’re stacked face down, with no front covers visible at all. The result is that readers browsing the shelves in a European bookstore tilt their necks to the left, while those in North America tilt theirs to the right.

With spine design, simple sells. This may be one reason modern books titles are often only one or two words; a design choice as much as a literary one. Capital letters, having no ascenders or descenders, present more cleanly than lower case letters. Bold fonts work better than delicate ones. Colors need to contrast but not compete. The spine must attract attention, convey information and please the eye; a huge job for a relatively small plot of real estate on a book.

Next time you’re browsing bookshelves – in a store, a library or your own home – see which books attract your attention. Then consider the designs of the spines. You’ll notice trends that succeed but also be surprised when a rule-breaking design works.

Like people’s spines, book spines should be accorded the care and respect they deserve because their job is critical to everything that resides within the body.

Quotable

A room without books is like a body without a soul. — Marcus Tullius Cicero (106 BC-43 BC)

No furniture is so charming as books. – Rev. Sydney Smith (1771-1845)

If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.
Toni Morrison (1931-present)

When Good Words Go Bad

William Shakespeare is considered by most literary historians and critics to be the best writer ever in the English language. The fact that his work has endured for four centuries supports the point. Yet Shakespeare is shunned by many readers once they graduate from school. Chaucer’s The Canterbury Tales? Beowulf (author unknown)? Fuggedaboutit! Some of the greatest literature of the English language seems written in a foreign language, with the same effect on readers that garlic breath has on lovers.

Readers don’t like to be stopped midsentence by a word so archaic that a trip to the dictionary becomes necessary. Even trickier is when a word is recognized but misinterpreted and one is left to question the author’s objective. You’ll find an example in Shakespeare’s Hamlet, where the troubled prince tells Ophelia, “Get thee to a nunnery!” Most readers interpret “nunnery” as a convent. In Elizabethan parlance, however, “nunnery” could also mean brothel. Shakespeare seems to leave it to the reader to decide Hamlet’s intention.

In today’s vernacular, we find words taking on opposite meanings from their original definitions. One example is “sick”, used to mean “awesome” (“bad” was the stand-in for “awesome” in the ‘80s, but “bad” is now back to being … bad). “The bomb” can be a disaster or a triumph. “Catfish” is something you would rather eat than have one eat you. Hurling “you bitch” is quite different from yelling “you’re my bitch”, although you probably don’t want to be at the receiving end of either phrase, unless you really are a female canine.

Just as old words change over time, new words are invented every year that may send you to your cyber-dictionary if you haven’t kept up with cultural trends. Have you considered buying a “turducken” with a “bitcoin” lately? Using Twitter to Tweet no longer makes you a twit; now you are a “tweep”. Somehow, “fracking” sounds like an appropriate word for what we are doing to our planet to extract its petroleum resources.

English is an ever-evolving language. That’s its beauty and its challenge, both for authors and for readers. Like interior decorating or clothing fashion, what trends today in language may be outdated or obsolete by next year. Using trendy words to set a period piece is smart. Using trendy words in a timeless piece could end up smarting.

There’s no such thing as bad words; only bad writers (oh, what did she mean by that?).

Vive la Bastille Day in Literature

July 14th is Bastille Day in France. It’s France’s equivalent of our Independence Day, when France and people of French ancestry around the globe celebrate the storming of the notorious Parisian fortress-prison, which set its revolution in motion in 1789. The events of that day, the events of that time, also inspired some of our most enduring classic literature.

Charles Dickens’ A Tale of Two Cities, Victor Hugo’s Les Miserables and Baroness Orczy’s Scarlet Pimpernel place characters in the Bastille. Hugo, Voltaire and the Marquis de Sade were but three of the well-known authors who were imprisoned at some time in the Bastille. During one of his several incarcerations, Sade handwrote the manuscript for The 120 Days of Sodom, considered his crowning achievement and the cornerstone of his thought.

The often recited opening lines of A Tale of Two Cities, “It was the best of times, it was the worst of times,” describes the years leading up to the French Revolution. The English romantic poet, Percy Bysshe Shelly, described the French revolution as “the master theme of the epoch”. Another English poet, William Blake, wrote the book-length poem The French Revolution. He felt there was a strong connection between the American and French revolutions, that these revolutions had a universal and historical impact.

One of the most famous and mysterious prisoners of The Bastille came to be known as “the man in the iron mask”. Many theories were spun about the identity of the prisoner who went by different names over his 34 years in the custody of the same jailer. Voltaire theorized he was an illegitimate half-brother of King Louis XIV. Alexander Dumas used this theory in his book The Vicomte de Bragelonne, but made the prisoner an identical twin of Louis XIV. This book has served as the basis of the movie The Man in the Iron Mask.

The Fall of the Bastille is credited as having greatly influenced Gothic literature through representations of prisons and imprisonment. Castles and imprisonment also feature prominently in Lord Byron’s Romantic-era The Prisoner of Chillon, a verse narrative inspired by the story of Francois Bonivard, a sixteenth-century Swiss monk imprisoned at the Chateau de Chillon for political activism. Even a children’s book, The Little Princess by Frances Hodgson Burnett, references the Bastille as a place a child imagines herself to be in as a way to cope with abuses she must endure.

Open that bottle of champagne, enjoy that croissant with a creamy slathering of brie, and sweeten your day with a lovely light crepe. But don’t forget to salute Bastille Day by picking up one of the many books influenced by that day and those times.

Recommended

Lexicographer Paul Dickson has assembled a fascinating and fun book titled Authorisms: Words Wrought by Writers. He presents a veritable dictionary of words created or popularized by famous people, including many authors. Shakespeare and Sir Walter Scott lead the count of inventive language. More modern contributors include Jane Austen (base ball), Louisa May Alcott (co-ed), Mark Twain (hard-boiled), John le Carrè (mole) and William Gibson (cyberspace). There’s only one word for this book: joy!

Fighting Over Reading?

In previous blog posts, I’ve promoted an early introduction to reading for children. On June 24th, the American Academy of Pediatrics, Reach Out and Read, and Scholastic Inc., working with Too Small to Fail, issued a joint announcement at the fourth annual Clinton Global Initiative (CGI) America . Their collaborative effort is “to raise awareness among parents about early language development. It’s the first time the AARP will promote early literacy—from an infant’s very first days—as an essential component of primary care visits.” The goal is to “ensure that doctors, parents and caregivers have the information, tools and books they need to promote reading out loud to child every day starting in infancy.”

Obvious benefit to children, right? Slam dunk to launch a lifelong advantageous skill, yes? If you follow the Booked blog, you’re applauding this news. But not everyone is.

There’s been a curious backlash by some (a small group, I believe, but vocal) attacking the plan. The assault is based on erroneous assumptions: that the program will “push” reading on children, that it’s enough for adults to simply talk with children, that this is another unnecessary intervention and that reading isn’t necessary. Say what?

Nothing in the program “pushes” anything on a child; apparently, some adults feel reading to a child is pushing something on them they would rather not do (my guess is those adults were never read to as children). Reading to a child is engaging them. I’ve never known a child that didn’t enjoy being read to. Of course, adults should frequently engage in conversation and activity with children; that is how they learn … and they’re instinct is to learn. Learning through exposure to literature is not just taking in information; it develops the vocabulary children need to adequately express themselves. Children emulate the adults in their lives. Those who are read to want to possess the power of reading themselves.

Exposure to reading may also expose a child’s reading challenges, which are more easily overcome with early intervention, saving a lifetime of unnecessary frustration, sadness and shame.

Success in life, however you define it, is not guaranteed by early literacy exposure; but statistics show that readers generally do better than non-readers. And the love of reading can be instilled from infancy by exposing children to the wonder of books.

The backlash against the collaborative reading effort has nothing to do with children. It says plenty about a certain group of adults. But you already know that.

Footnotes

On July 2nd, after three years in which several thousand volunteers distributed over one and one-half million specially-printed paperbacks across America, the not-for-profit World Book Night organization sadly announced that they are suspending operations. Despite a significant financial and time commitment from publishers, writers, booksellers, librarians, printers, distributors, shippers and volunteer book givers, not enough outside financing was attained to continue the program. In an email message to supporters, World Book Night U.S. Board Chairman Michael Pietsch said, “World Book Night’s first three years have been a profound experience for everyone involved. The altruistic spirit of the givers and of industry supporters have reminded us all of the transformative impact books have on people’s lives, and of the power of a book as a gift.”

In England, where the program originated, it continues successfully. The problem in the U.S. was the cost of production, organization and distribution. American publishers had supported World Book Night by printing special copies of the two dozen giveaway books. Authors waived their royalties. Yet that was not enough to keep World Book Night U.S. in business.

Summertime and the Reading is Easy

Now that we are officially in summer – both by the calendar and by sultry weather – lists are sprouting like weeds, recommending books for “summer reading”. It’s a funny concept – that some books are more appropriate to one season than another; that summer brings out lighter literary works in the same way it brings out lighter clothing.

School may be out and vacations may be in but our brains and imagination crave stimulation. Yet, there is that odd thing called a “summer read”. What, exactly, does that mean? How does a book qualify? Why would we want to use our valuable time reading a book that is recommended for the summer, as if it would be less worthy in other seasons?

I decided to check out some of this year’s summer reading recommendation lists. Many books carry a summer theme, which I thought would be better to read in the dead of winter when one pines for those sizzling summer days and steamy nights (how quickly we forget that we try to dodge summer’s discomforts by seeking the nearest chilled environment). Some books on the lists seem light enough to blow away like the puffball seeds of a dandelion flower. There are also books that sound like they’d be spectacular reads, no matter the season; they just happened to debut at the start of summer. Like summer travel, there’s a destination to suit every taste and interest.

You can check various lists of “summer reads” if you’re so inclined. You can order books online, to be shipped to wherever you find yourself. You can download a boatload of books if digital is your preferred reading source. If you ask me, summer should be the time to stroll to your local bookstore or library, saunter through in relaxed summer style and let books pull you in. Kind of like waves along a shoreline that beckon and promise to share secrets hidden below the water’s surface, if you accept their invitation.

Recommended

Imagine if you could not read a book simply because you could not clearly see the text. You can help a child read, an adult succeed in his or her job, a senior maintain an independent life – simply by donating reading glasses you no longer need. Lions Clubs International has been recycling eyeglasses in one of the largest and most successful programs in the world. They make it very easy to donate your unwanted eyeglasses through the Lions eyeglass recycling program. Donating your unneeded eyeglasses is free for you – but can be priceless to the millions of people whose vision can be corrected with eyewear.

What’s in a Name?

Soon after I started regularly writing short stories, a few years back, I felt compelled to build a list of male and female first names I might apply to characters yet to be born. I wanted to get away from the “Bob”s, “Mary”s, “Jim”s and “Carol”s that seemed to repeatedly populate the story exercises I heard in writing workshops. There’s nothing wrong with those names but I don’t always buy roses and carnations when freesia, delphiniums and alliums are also available. I don’t always choose vanilla, chocolate and strawberry when there’s (fill in any Ben and Jerry’s flavor here).

Like the proverbial chicken and the egg, it’s not certain whether the character chooses the name or the name defines the character. I’ve experienced both, when reading or writing.

Say these names out loud and imagine these memorable characters with alternate monikers (what might they be?): Ebenezer Scrooge (the pinching sound), Sherlock Holmes (shhh, it’s a secret), Count Dracula (liquid flowing over sharp edges), Huckleberry Finn (young and brash), Scarlett O’Hara (give the girl what she wants) and (back to Dickens) Miss Havesham (no explanation needed if you read Great Expectations).

Misnamed characters are confounding when you realize how easy it is for an author to switch to something more appropriate. Some almost-names that, wisely, were changed by the author before publication include Connie Gustafson (Holly Golightly), Sherringford Holmes (Sherlock Holmes), Ormond Sacker (John H. Watson, Sherlock’s assistant) and (can you believe) Pansy O’Hara (Scarlett O’Hara).

The next time you are reading fiction that you like, consider the names of the characters. Chances are they told their author what to call them.