Note to Readers – Every now and then, I will re-post a blog entry that has withstood the test of time. Whether you missed it the first time ‘round or read it years ago, I feel it’s worth sharing again. I chose In and Out of War from May 2014 for this Memorial Day weekend because this election year will have major repercussions on our nation’s decisions concerning future warfare. As we honor those who made the ultimate sacrifice, it is fitting to remember the legacy of war… and peace. Vote wisely.
I suppose if one lives long enough, one will experience war up close or from a distance. Our attitudes toward war, toward those who engage in it or are subject to its consequences, are influenced by the times and circumstances in which we live, by the people we know, by the experiences we have … and by the books we read.
Every war generates its own literature in its time and in later generations. The same war does not automatically generate the same story, or viewpoint, or reader response. The best war literature makes us contemplate the meaning of war to us, personally and as part of larger communities, nations and a diverse species sharing a singular planet.
Whether you choose to read a classic or contemporary book about war, consider following it with a book that approaches the same conflict from an opposing viewpoint. Stretch your vision of humanity. The point is not to change your opinion, although that is possible, but to give you a greater understanding of the human experience.
This blog post honors those who serve and sacrifice on behalf of the rest of us.
There is great, enduring war literature for every generation. Some of the best include:
• The Iliad by Homer: Greek war in the Bronze Age; poetry
• The Art of War by Sun Tzu: ancient Chinese military treatise
• War and Peace by Leo Tolstoy: Franco-Russian War; novel
• The Red Badge of Courage by Stephen Crane: American Civil War; novel
• All Quiet on the Western Front by Erich Maria Remarque: World War I; novel
• For Whom the Bell Tolls by Ernest Hemingway: Spanish Civil War; novel
• Catch-22 by Joseph Heller: World War II; satire
• M.A.S.H. by H. Richard Hornberger (pen name Richard Hooker): Korean War; novel
• The Things They Carried by Tim O’Brien: Vietnam War; fiction, short stories
• Black Hawk Down by Mark Bowden: Somalia; nonfiction
• The Cellist of Sarajevo by Steven Galloway: Bosnian-Serbian War; novel
• The Last True Story I’ll Ever Tell by John Crawford: Gulf War; memoir
• Behind the Lines Edited by Andrew Carroll: non-fiction letters
Authors would be wise to go behind the numbers of this year’s BookCon to see why Chicago should be part of any book tour.
Reed Exhibitions, the organizer of BookCon as well as BookExpo America (which ran in Chicago May 11–13), reported that consumer attendance was 7,200 for the 1-day BookCon on May 14. The 2-day BookCon in New York in 2015 drew 18,000 attendees, and the first BookCon in 2014 attracted 10,000 readers over one day. However, attendees this year were more interested in the books, rather than just looking for celebrity authors, as was often the case at the past two NYC shows. Moreover, the audience in Chicago skewed slightly older and was more inclined to buy books.
Publishers reported that they ran out of their most popular free items – books, tote bags and T-shirts — quickly. Knopf Doubleday Publishing Group said its signed copies of John Grisham’s The Litigators were gone in less than five minutes, and the same held true for the 10th-anniversary edition of The Da Vinci Code by Dan Brown. Galleys that went quickly included those of Carl Hiassen’s forthcoming novel Razor Girl and Nathan Hill’s The Nix. Abrams Books said its children’s titles sold “like hot cakes,” and that some adult titles also “sold briskly”. W.W. Norton & Company called the Chicago event “great”.
The biggest complaint from consumers, many of whom came from different parts of the country, was that BookCon wasn’t long enough.
What all of this should suggest to authors and publishers is that there is a hungry, healthy market of readers in the Midwest. Properly chosen venues and well-crafted publicity can pay back in strong book sales while building reader loyalty for authors who head to Chicago.
Because of the strong Midwest market, BOOKS ‘n’ BOTTLES™ will expand to a second venue next month. Authors and publishers are invited to check out BOOKS ‘n’ BOTTLES™ events in the greater Chicago area at the Book●ed website.
Yet once you’ve come to be part of this particular patch, you’ll never love another. Like loving a woman with a broken nose, you may well find lovelier lovelies. But never a lovely so real. – Nelson Algren, Chicago: City on the Make
We struck the home trail now, and in a few hours were in that astonishing Chicago–a city where they are always rubbing a lamp, and fetching up the genii, and contriving and achieving new impossibilities. It is hopeless for the occasional visitor to try to keep up with Chicago–she outgrows her prophecies faster than she can make them. She is always a novelty; for she is never the Chicago you saw when you passed through the last time. – Mark Twain
Chicago has so much excellent architecture that they feel obliged to tear some of it down now and then and erect terrible buildings just to help us all appreciate the good stuff. – Audrey Niffenegger
Don’t be confused by the blurring lines between memoirs and autobiographies in recent literature. They differ in several ways. Autobiographies have more constraints in their structure, needing to be chronologically complete, detailed and factual. Memoirs are allowed personal and artistic liberties in determining what and how to tell about selected moments of one’s life.
In Gore Vidal’s memoir, Palimpsest, he defined the two genres this way: “a memoir is how one remembers one’s own life, while an autobiography is history, requiring research, dates, facts double-checked.” By this comparison, you might assume an autobiography reads more like a dry textbook while a memoir is more like a rousing novel. Truth is that the success or failure of either format falls squarely on the writing. That’s what will turn you on or off to the person at the heart of the story.
There is a hybrid today that goes back to memoirs typically seen in the 1800s-early 1900s, wherein they were usually about someone’s relationship with someone else of equal or greater renown. Only in the late 20th century did people start writing memoirs about themselves — and labeling their works as “memoirs” in their titles.
In the past two years, I’ve been involved with two such hybrids: Searching for My Father, Tyrone Power by Romina Power and The Baron of Mulholland: A Daughter Remembers Errol Flynn by Rory Flynn. Two accomplished women writing about their even more famous fathers. Their access to people, documents and information about their famous fathers allowed them to effectively infuse the memoir/biography hybrid format with information, photos and personal opinions that previous books and other media couldn’t approach.
Although the hybrid concept was the same, Romina and Rory approached their books differently. Searching for My Father, Tyrone Power uses more historical information to show the origins of the Power theatrical legacy and interviews with people who lived with or worked with her father. She uses memoir to explain how she came to learn about her father. Photos, divided into three segments within the book, support the chronology of generations of the family with the primary focus on the life of Romina’s father (one of several successful Tyrone Powers over the centuries).
The Baron of Mulholland is a handsomely produced coffee table format book, filled with personal photos and reproductions of Errol Flynn’s handwritten personal correspondence. The emphasis of Rory’s book is her parents’ relationship and her own recollections of her father. She also devotes considerable space to her famous brother, Sean Flynn, a noted photographer who died while on assignment in wartime Cambodia.
Through a similar hybrid concept but using different storytelling approaches, Romina Power and Rory Flynn deliver very personal stories about very public men. The Baron of Mulholland will be on sale when Rory Flynn appears at BOOKS ‘n’ BOTTLES™ on May 16th and at the Pickwick Theatre on May 17th.
For all the children out there who think their moms aren’t up to snuff, let me suggest that your Mother’s Day reading includes books on my list of worst literary mothers (for the mothers out there who feel they aren’t appreciated enough by their children, make one of these books your Mother’s Day gift to them!). You might want to reconsider ….
Medea by Euripedes – Does it get any worse than killing your own sons as revenge against their father? Perhaps literature’s original bad mama, she set the bar high.
Madame Bovary by Gustave Flaubert – Emma Bovary’s romanticism doesn’t extend to motherhood. Her suicide, soon followed by her husband’s death, leaves her daughter alone, penniless and forced to work in a mill.
East of Eden by John Steinbeck — Cathy Ames (later known as Kate Albey) is this epic’s Satan, Jezebel, and Eve all rolled up into one. Running a brothel aside, she’s also responsible for the deaths of many people including her parents. Add to that, she slept with her brother-in-law, shot her husband and abandoned her twin sons (after failing to abort them with a knitting needle). Even after committing suicide, she further inflamed the Cain and Abel relationship between her sons by leaving all of her possessions to only one.
Lolita by Vladimir Nabokov – No matter how sorry we may feel for Charlotte Haze’s bovine, clueless existence, her desire for what she imagines is the fine life leads her to bring pedophile Humbert Humbert into her nubile adolescent daughter’s life. Disaster for all but, somehow, Nabokov elicits absurd humor in this tale.
Portnoy’s Complaint by Philip Roth – There are overbearing mothers in every culture but Sophie Portnoy is every cliché of the overbearing Jewish mother, rolled into one. Her punishment is the son she has to mother.
Carrie by Stephen King – Here’s what happens when your mother is a fanatic, in this case a religious fanatic. Margaret White’s warped view that it is sinful to be a woman dooms her daughter and nearly an entire town before bringing on her own awful demise (for which we find ourselves cheering).
Flowers in the Attic by V.C. Andrews — Creepy Corinne Dollanganger leaves her kids with her own terrible and abusive mother, then feeds them arsenic so she can keep her inheritance. The epitome of the creepy mom.
Game of Thrones by George R. R. Martin – Once you’ve procreated with your twin brother, it’s doesn’t matter how much you say you love your kids when the one you most support turns out to be psychopathic, animal-torturing monster.
We Need to Talk About Kevin by Lionel Shriver presents the only mother on my list created by a female author (yes, Lionel is a woman). Kevin had as little chance in life as his victims. Before he became a teenage mass murderer, he endured Eva Khatchadourian, one of the most depraved mothers in literature. Nature? Nurture? Chilling!
The Patrick Melrose Novels by Edward St. Aubyn – The epitome of self-denial and self-indulgence, Eleanor Melrose is victimized before becoming the victimizer of her son through omission and commission.
For younger readers and the child in all of us:
Coraline by Neil Gaiman –This is a great way to instill an appreciation of mothers by their children. “Think another mother will be better than me? Let me read you the story of Coraline!” Buttons for eyes! Buttons for eyes! A dark novella with a lesson for all of us who thought at some point in childhood that our parents were less than perfect.
Stranger than fiction:
Mommie Dearest by Christina Crawford – Can this list not contain a memoir about having Joan Crawford for a mother? All the more horrific because this is non-fiction. But it is a warning to parents that your children will probably have the last word on your parenting.
Only one week to go until Rory Flynn’s arrival in Chicago! The celebrating begins with BOOKS ‘n’ BOTTLES™ on May 16th. The daughter of film legend Errol Flynn will be personally signing copies of her memoir, The Baron of Mulholland, while sipping wine with guests from 6-8 p.m. at TASTE Food and Wine. A sampling of Rory Flynn talking about her famous father can be seen online.
Honoring Errol’s native land, the wine tasting will feature three notable Australians: a Riesling, a Chardonnay and a Sparkling Shiraz. TCM’s film historian, Robert Osborne, described Rory’s book as “fascinating” and “revealing”, showing “a side of Papa the public has not been exposed to before.” In addition to books and wine for purchase, our popular Bonus Buy tickets will also be available at the event; each ticket gets you a wine-themed memento along with discounts on wine, restaurants and extra goodies.
Rory Flynn will be joined by Taryn Power Greendeer (daughter of Tyrone Power) at the Pickwick Theatre on May 17th. The program begins with live prelude music at 7 p.m., an on-stage appearance by the daughters of Hollywood idols Errol Flynn and Tyrone Power, a screening of the 1935 classic film, Captain Blood (the first pairing of Flynn and Olivia de Havilland), and several surprises. Copies of The Baron of Mulholland and Searching for My Father, Tyrone Power, will be available for sale and personal autographing.
Note to Readers – Every now and then, I will re-post a blog entry that has withstood the test of time. Whether you missed it the first time ‘round or read it years ago, I feel it’s worth sharing again. I chose Mark My Words from February 2015 because a friend recently sent me a “Happy Springtime” card that contained a handmade bookmark. I was reminded how special bookmarks can be and why they make such lovely gifts for holidays, celebrations or simply as a gesture of caring. Come enjoy the fascinating journey of the bookmark.
What happens when your reading is interrupted before you’ve finished? If you’re like me, you grab whatever is handy to mark your place. The result is a plethora of markers where you live and work. If a book or magazine is lucky, it has a real bookmark in it; otherwise, a paper scrap, piece of string, paper clip or something more inventive is recruited to service.
Recently, a woman I was in touch with because of my work on Searching for My Father, Tyrone Power, sent me a lovely handcrafted bookmark, part of a line she creates for sale in select stores. Her thoughtful gift, gracing the book currently on my nightstand, got me thinking about bookmarks.
Bookmarks of some sort must have been employed since ancient times when the written word was on scrolls that stretched 130 feet or more. Historians can date bookmarks back to medieval times when books were rare, extremely valuable and vulnerable to damage. Some of the earliest bookmarks, usually made of vellum or leather in various shapes (some quite inventive), date back to the 13th century, often used to hold the place in religious books. One would not dare lay a book on its spine or turn down the corner of a page.
The evolution of bookmarks mirrored advances in printing. In the 16th century, the most valuable books continued to be religious and the reader’s place was kept by “bookmarkers”. Accordingly, designs were exquisite, using valuable materials. The Royal Museum of Brunei displays an ivory bookmark that was made in India in the 16th century, embellished with a geometrical pattern of pierced holes, which was used in illuminated Korans. In 1584, the printer who held the sole rights to print the Bible in the British empire, presented Queen Elizabeth I with a fancy, fringed silk bookmark.
Taking their inspiration from the Queen’s bookmarks, books of the Edwardian and early Victorian eras commonly had narrow silk ribbons bound into them at the top of the spine, long enough to project just past the lower edge of the page.
Commercially-produced, machine-woven detachable bookmarks began to appear in the 1850s. Silk was a favorite material, frequently designed to celebrate special events. Young ladies in the Victorian age were taught embroidery, often showing their skill by producing elaborate bookmarks as gifts for relatives and friends.
As books became more widely available by the 1880s, bookmarks made of stiff paper saw a dramatic rise. Their popularity was helped by companies producing attractive bookmarks as promotional giveaways to advertise their brand. Specialized companies manufactured bookmarks of such diverse materials as gold, brass, bronze, copper, celluloid, pewter, mother of pearl, leather and ivory. Many were shaped like knives or swords, to be used as paper cutters because books in that period often contained many pages that were not completely separated.
Contemporary bookmarks continue to be made in all variety of materials (celluloid has been replaced by plastic) and are as popular as ever. They are such a fixture in our lives that even in the Internet era, we use the term “bookmark” to denote a page or location we want to easily refer back to.
Everyone can use and appreciate a bookmark. If you’re an author, consider giving people bookmarks that promote your books. If you’re looking for a gift that’s always the right fit, you can’t go wrong with a well-made bookmark. Mark my words!
After a very happy Season 2 launch of BOOKS ‘n’ BOTTLES™ last month, plans are well under way to celebrate Rory Flynn’s arrival in Chicago on May 16th. The daughter of film legend Errol Flynn will be personally signing copies of her memoir, The Baron of Mulholland, while sipping wine with guests from 6-8 p.m. at TASTE Food and Wine. A sampling of Rory Flynn talking about her famous father can be seen online.
Honoring Errol’s native land, the wine tasting will feature three notable Australians: a Riesling, a Chardonnay and a Sparkling Shiraz. TCM’s film historian, Robert Osborne, described Rory’s book as “fascinating” and “revealing”, showing “a side of Papa the public has not been exposed to before.” In addition to books and wine for purchase, our popular Bonus Buy tickets will also be available at the event for mementos, discount on wine, restaurants and extra goodies.
Rory Flynn will be joined by Taryn Power Greendeer (daughter of Tyrone Power) at the Pickwick Theatre on May 17th. The program begins with live prelude music at 7 p.m., an on-stage appearance by the daughters of Hollywood idols Errol Flynn and Tyrone Power, a screening of the 1935 classic film, Captain Blood (the first pairing of Flynn and Olivia de Havilland), and several surprises. Copies of The Baron of Mulholland and Searching for My Father, Tyrone Power, will be available for sale and personal autographing.