Monthly Archives: February 2016

Buyer Beware!

There’s a new TV commercial that makes me want to scream at the screen. You may have seen it. It’s from a company that claims it will publish your book and get it into book stores. Wham bam thank you ma’m. A little research into the company shows they are a scam, intent on hooking naïve writers with great dreams.

Until now, such misleading sleazy sales pitches to authors have been limited to the internet and some magazines. These shysters used to be referred to as Vanity Press but now hide under the growing umbrella of self-publishing services.

Don’t get me wrong, I believe in self-publishing. In fact, I helped a friend of mine self-publish a collector’s quality limited edition book in 2014 that was enthusiastically received. There are excellent self-publishing services from reputable companies. A growing number of established authors have moved from traditional publishers to self-publishing and found it lucrative. Conversely, some wildly successful self-published authors have gone on to impressive book deals with major publishing houses.

Here’s the issue: If you don’t know what you’re getting into with self-publishing, you can easily fall into one of the many sinkholes that dot the landscape. Unfortunately, you don’t know what you don’t know. That’s why I regularly write about the business of publishing, including self-publishing. As I always say, “There’s good news and bad news for authors and that news is the same: Today, anyone who wants to get published can get published.” Doesn’t mean your book is going anywhere… unless you get serious about the business side of writing.

Lines are blurring between what an author may get from a traditional publisher or a self-publishing company. Caveat emptor! Buyer beware! Whichever route you take, you need to understand the entire process. What was once dessert has become the appetizer. The end goal is no longer just getting your book produced. There are also distribution, marketing and public relations considerations, with side orders of copyrights, contracts, price points and profit margins.

Most authors prefer to spend their time writing rather than tending to business. There are people who would be happy to handle the business end for authors … for a price. Traditional publishers cover copyrights, distribution and some degree of marketing but the effort varies from contract to contract, which is where a good agent and literary attorney are your best allies. I have many author friends who have excellent relationships with the major houses that publish their books, no doubt established through a good contract.

With self-publishing, you have more of an a la carte menu of services, although you may be offered a prix fixe package. You don’t need an agent or a literary attorney to be self-published; you do have to understand what is required to succeed, decide who will handle those requirements, how to get reliable, reasonably priced services and what to expect.

Begin your education by going to trusted resources that have no financial interest in your book. I like Writer’s Digest and Poets & Writers to keep me current on changes and opportunities in self-publishing (they also do a great job on traditional publishing). Attend major conferences, workshops and retreats offered by trade such education and trade organizations as AWP and BEA (and specialized groups based on genre, geographical region, etc.). Books on the subject are helpful but may not be current in the ever-changing publishing world. The best source is a guide who is thoroughly familiar with the industry and understands your particular needs and wants; a source who will keep you based in reality as you make your choices.

A friend of mine, whose earlier books were traditionally published but decided to go the self-published route with her latest book, chose a well-known company that would get her books distributed nationally and internationally, through brick and mortar bookstores as well as through Amazon. Until she found that they couldn’t get into brick and mortar stores. They have posted her book on Amazon but have not created any publicity to draw people to her title. Thousands of dollars into her investment, it is now up to her to find every book store and other venue to carry her book or host a book signing, to seek her own promotions. I could have told her this would happen but she never asked. I wish she had.

Recommended

Two events of interest to writers in the Chicago Metro area are coming this spring:

April 29th – May 1st: The Society of Children’s Book Writers and Illustrators will hold the 2016 Wild, Wild Midwest Conference at the Chicago Marriott Naperville. SCBWI is one of the largest organizations for writers and illustrators in the world. It is the only professional organization specifically for those individuals writing and illustrating for children and young adults in the fields of children’s literature, magazines, film, television, and multimedia.

May 11th – 13th: Book Expo America, North America’s largest publishing event, is moving from New York to Chicago this year. Organizers promise “access to what’s new, what’s next, and everything exciting in the world of books.” Discounted early bird registration is being accepted through April 26th.

Quotable

Remembering author Umberto Eco, who we lost the same day we lost Harper Lee:

I love the smell of book ink in the morning.

Books are not meant to be believed, but to be subjected to inquiry. When we consider a book, we mustn’t ask ourselves what it says but what it means….

To survive, you must tell stories.

All the stories I would like to write persecute me when I am in my chamber, it seems as if they are all around me, the little devils, and while one tugs at my ear, another tweaks my nose, and each says to me, ‘Sir, write me, I am beautiful’.

When the writer (or the artist in general) says he has worked without giving any thought to the rules of the process, he simply means he was working without realizing he knew the rules.

Are Clubs in Your Cards?

Loyal followers of my blog know I’m a fervent supporter of independent book stores. They provide opportunities and services to authors and booklovers that Amazon, big chains and discounters cannot.

On an even more personal level, book clubs also benefit authors and booklovers. At first glance, the benefits are obvious: readers share the reading experience and authors whose books are selected potentially see group sales (read more in my April 27, 2014 post, Ace of Clubs).

Imagine my surprise, then, to discover an ongoing controversy over the value of book clubs (which camp are you in?). Some people adhere to the belief that reading should always be a solitary experience. If you’re in that camp, you can stop reading here … but I hope you won’t.

There are many types of book clubs to choose from:
Single title – every member reads the same book;
Multi-title – every member is reading a different book at any given time but each book makes the rounds of the members;
Library – usually librarian led with books made available by the library;
Online – a variety of formats for how books are selected and information shared;
Broadcast – example: Oprah’s Book Club;
Book reading – using audio books or members taking turns reading aloud from the book;
Author led – includes the author of the current book as part of the discussion; often concludes the discussion with a live conference call or webinar.

Some clubs center meetings around social activities while others focus on the book discussion. Like any club, a book club’s success depends on its leaders and structure. Camaraderie or discord among members, and each individual’s experience, will flow from that. Like choosing a new pair of shoes, you seek out a certain style but you have to try it on for fit. Choose well and you’ll meet interesting people (possibly creating enduring friendships beyond the club), read good books you might not otherwise have chosen, expand your view of books through other people’s insights, maybe even eat some great food. Most of all, you’ll have fun!

Author bonus: Starting or participating in a book club offers extra benefits to authors. Obviously, reaching out to existing “author led” club gives you a platform to explain your work and build a loyal following for your future work. Another benefit of joining a book club is the likelihood you will sometimes read outside your comfort zone; genres and styles that are different from what you usually read can inform what you write. Whether the group reads your books or others, discussion and analysis give you insights from readers that will improve your craft. Reading With Purpose: Four Reasons Why Every Writer Should Join a Book Club provides more thought on this subject.

Sources to help you find the right book club for you include Reader’s Circle; My-Bookclub.com; Goodreads; and Meetup.

Footnotes

Prolific readers know the power and enjoyment of being able to pick up a book and enter its world. For developmentally disabled adults – who are too often excluded in many aspects of social life – the joy of sharing book discussions in traditional book clubs has been out of reach, one more barrier to participating in the community.

The Next Chapter Book Club, created in 2002 under the auspices of the Ohio State University Nisonger Center and with 250 individual book clubs across America, Europe and in Israel, provides adults with developmental disabilities the opportunity maintain reading and literacy skills beyond high school while participating in a “coffee club culture” in a public meeting place.

Next Chapter Book Club members meet once a week for an hour in bookstores, cafes or libraries. Program manager Jillian Ober said, “We include people who don’t read at all or who need help with every single word on the page. The facilitators keep things moving and fun. It’s not meant to be a class.” The Next Chapter Book Club can help you join or start a club in your area.

Quotable

Thoughts about reading and writing from Harper Lee, author of To Kill a Mockingbird and Comes a Watchmen, who died February 19, 2016 at the age of 89:

Until I feared I would lose it, I never loved to read. One does not love breathing.

The book to read is not the one which thinks for you, but the one which makes you think.

I would advise anyone who aspires to a writing career, that before developing his talent he would be wise to develop a thick hide.

Any writer worth his salt writes to please himself…. It’s a self-exploratory operation that is endless. An exorcism of not necessarily his demon, but of his divine discontent.

Love and the Epistolary Novel

An epistolary novel is one in which the story is told through a series of documents. While documents might be news clippings or diary entries — in modern times it could be broadcasts, internet correspondence and social media posts – they began and remain most often as love letters in some fashion. Cárcel de Amor (Prison of Love), c.1485 by Diego de Dan Pedro is the earliest reported epistolary novel. James Howell is credited with writing the first epistolary novel in English, Familiar Letters (1645-50), covering prison life, foreign adventure … and the love of women.

Over the next century, the epistolary novel form gained complexity as the narrative introduced varying viewpoints. This was most notably seen in Aphra Behn’s Love Letters Between a Nobleman and His Sister (three volumes in 1684, 1685 and 1687), in which intrigue was created by false letters, and letters delayed or misused by people with bad intentions.

As a genre, the epistolary novel became popular throughout Europe in the 1700s. In England, Samuel Richardson’s Pamela; or Virtue Rewarded (1740) inspired the “Pamela Bonnet” fashion. The French Les Liaison Dangereuses (1782) by Pierre Choderlos de Laclos (with original illustration by Jean-Honoré Fragonard) has been adapted to stage, ballet, opera, radio, film and television.

Other notable epistolary novels born in Europe include: Friedrich Hölderlin’s Hyperion (1797 and 1799), Wilkie Collins’s The Moonstone (considered the first detective novel in the English language, 1868) and Bram Stoker’s Dracula (1897).

Stateside, the first epistolary novel appeared in 1769: Frances Brooke’s The History of Emily Montague. Since then, our best-known epistolary novels include:

Address Unknown (1938, an early endictment of Nazism) – Katherine Kressman Taylor
Flowers for Algernon (1958) – Daniel Keyes
Carrie (1974) – Stephen King
The Color Purple (1982) – Alice Walker
The Princess Diaries (series, 2000-2015) – Meg Cabot
World War Z (2006) – Max Brooks

Reliance on subjective points of view made the early novels a precursor of the modern psychological novel. The novels I listed are categorized under a variety of genres but they follow the same epistolary format. At the heart of these novels, be they epistolary or psychological, you are likely to find an aspect (or effect of) love (supportive or destructive). The epistolary form provides a special degree of intimacy. And that’s why we love them.

Quotable

To celebrate Valentine’s Day, here are quotes about love from some of our favorite authors:

I cannot fix on the hour, or the spot, or the look or the words, which laid the foundation. It is too long ago. I was in the middle before I knew that I had begun. – Jane Austen

If you love somebody, let them go, for if they return, they were always yours. If they don’t, they never were. – Kahlil Gibran

Never close your lips to those whom you have already opened your heart. – Charles Dickens

You don’t love because: you love despite; not for the virtues, but despite the faults. – William Faulkner

The very essence of romance is uncertainty. – Oscar Wilde

Love is the answer to everything. It’s the only reason to do anything. If you don’t write stories you love, you’ll never make it. If you don’t write stories that other people love, you’ll never make it. – Ray Bradbury

Chinese Puzzle

Have you been thinking about China lately? After all, February 8th marks the Chinese New Year – the Year of the Monkey (specifically, the Red Fire Monkey). China’s economy (second only to that of the U.S.) has the world rocking and rolling but not in a good way. Territorial disputes in the South China Sea threaten conflict with several nations with whom the U.S. is closely tied, including Brunei, Taiwan, the Philippines, Malaysia and Vietnam. Lots of reasons to have China on one’s mind.

What has me thinking about China is a story that hasn’t gotten much play in the U.S. media but should resonate with anyone in the book industry: the mysterious disappearance of five Hong Kong book publishers since last October – publishers who had profitably produced and sold books on topics banned by Beijing: political corruption, religion and the intimate lives of Communist Party officials.

Chinese authorities confirmed that at least two of the missing publishers were being detained in mainland China. All of the disappearances are considered abductions, carried out to silence critics, part of a pattern against human rights lawyers, activists and bloggers. Before leaving Hong Kong to join family in the U.S., publisher Jin Zhong warned, “You don’t want to risk your life just to get a book published.”

Does this chilling series of human rights violations signal the demise of the banned book industry in Hong Kong? What does that mean for a Hong Kong fighting to maintain its personal freedoms? What might that mean for publishing in and outside of China?

Just last May, BookExpo America (BEA), North America’s largest annual book trade fair, welcomed China at its Global Market Forum. The China delegation was the largest international delegation that ever attended BEA, with more than 170 publishing companies represented and a 25,000-square-foot “Guest of Honor” display. According to a Publishers Weekly report, “The country’s publishers, who have imported an increasing number of U.S. titles, are hoping to build a market for some of their top authors overseas.”

Self-published authors requiring advanced (more expensive) production capabilities for their books have been increasingly turning to Chinese printing and publishing companies in order to produce books that would otherwise not be profitable.

Like so many other aspects of modern commerce, there is a symbiotic relationship between authors in the free world and publishing companies in government-controlled China. I suggest that much as we need them, they need us more, especially as their economy tries to calm its choppy seas. I hope authors and publishers who treasure their freedom of expression will join together and make sure China hears our voices speaking for those whose voices are being silenced.

For more about banned books, see my Booked Blog posts from 2013: “451 Degrees- Part 1” and “Part-2”. If you think banned books can’t happen here, check my “Recommended” post from March 31, 2013.

Quotable

There is more than one way to burn a book. And the world is full of people running about with lit matches. – Ray Bradbury

Banning books gives us silence when we need speech. It closes our ears when we need to listen. It makes us blind when we need sight. – Stephen Chbosky

Censorship is the child of fear and the father of ignorance. – Laurie Halse Anderson

In this age of censorship, I mourn the loss of books that will never be written, I mourn the voices that will be silenced-writers’ voices, teachers’ voices, students’ voices-and all because of fear. – Judy Blume

… when books are run out of school classrooms and even out of school libraries as a result of this idea, I’m never much disturbed not as a citizen, not as a writer, not even as a schoolteacher . . . which I used to be. What I tell kids is, Don’t get mad, get even. Don’t spend time waving signs or carrying petitions around the neighborhood. Instead, run, don’t walk, to the nearest nonschool library or to the local bookstore and get whatever it was that they banned. Read whatever they’re trying to keep out of your eyes and your brain, because that’s exactly what you need to know. – Stephen King

Congratulations

The Masque of a Murderer, the first book ever featured at a BOOKS ‘n’ BOTTLES™ event, is now in the running for three awards: the Bruce Alexander Historical Mystery (Lefty) Award, the Simon & Schuster Mary Higgins Clark Award (Edgar), and the Agatha for Best Historical Novel. Congratulations to author Susanna Calkins!

Only two days into the Amazon Kindle promotion, In the Company of Legends has risen to the number 1 position in one category: #1 in Kindle Store > Kindle eBooks > Humor & Entertainment > Movies & Video > Video. For 29 days (this is a leap year) the electronic version of the book will be featured in the Kindle Store for only $1.99. Congratulations to my friends, authors Joan Kramer and David Heeley – who I hope to host at a BOOKS ‘n’ BOTTLES™ this year.