Monthly Archives: June 2015

Independence Day for Authors & Readers

We all grew up reading books published by companies that have been around for decades, some even more than a century. You know their names, their authors and many of their titles. For years, to be published meant to be elevated to the literary heights by the giants of the industry. The times, they are a-changing!

Most authors still dream of being published by one of the major publishing companies but there are other options to be considered. Today, there are four forms of publishing: traditional (major publishing houses), self-publishing (the author pays in advance for every service used), university presses (they publish more than text books but their genres are limited and they are struggling to compete in the changing marketplace) and independent publishing. Independent (“indie”) publishers are smaller presses that are separate from the publishing conglomerates but perform most of the same functions. (The terms indie publishing and self-publishing are sometimes interchanged but they are very different.) All forms of publishing are found at book stores, online and in libraries (although self-published books still struggle for acceptance in some of these arenas).

At this year’s Book Expo America, I was impressed not only by the number of independent publishers represented, but in their variety (many specialize in certain genres), quality production capabilities, marketing reach and author support. While it is true that indie publishers work with smaller production and promotional budgets, they tend to be more collaborative with their clients through the publishing and marketing process, which can be very attractive for an author. In a smaller pond, every fish gets more attention.

Major publishing houses won’t accept any manuscript that is not submitted through an established literary agent. This creates an extra hurdle for authors: getting their manuscript accepted by an agent before it will be considered by major publishers. Independent publishers consider manuscripts submitted directly by authors, although (due to their smaller staffs) the wait time for a response may test your patience.

Indie publishers employ the same distribution channels used by the major houses. Because of emerging and evolving companies serving the book industry, targeting specialized markets (military, schools, etc.) can be achieved with smart planning, regardless of the size or type of publisher.

If you are an author exploring your publishing options, your choices should be guided by: how much control you want to retain over the artistic aspects of your book; the format of your book (major publishers offer the most options); how much collaboration you want to have in the production and marketing of your book; how much time and effort you are willing to put into getting an agent.

For authors, indie publishers offer plentiful opportunities to get their books into the hands of readers. For readers, indie publishers provide wider access to great books, especially from emerging or less mainstream authors. And that’s a very, very good thing!

Recommended

Ever read a book and imagined who should play the characters in a movie adaptation? I found a neat internet company call The Imagine Film List (The IF List) that lets you become a casting director, imagining your favorite book transformed into a movie with your choice of stars. It’s fun and it’s free.

Over coffee at Book Expo America last month, The IF List co-founder Noel Spangler explained to me how his company can help authors build a greater following for their books, possibly even attracting the attention of filmmakers. “We provide simple, but powerful tools to visualize any story as a movie, propose a dream cast, and nominate filmmakers to bring the story to life on screen. Proposals that receive the most support from fans are ranked at the top of The IF List, where they are in the best position to attract the attention of producers, casting directors, celebrities and others who have the power to turn ideas into reality.”

In addition to being a creative platform, The IF List is a comprehensive database and search engine – the first of its kind for imagined films and TV shows. “Our listings include profiles of thousands of proposed stories, roles, actors, and filmmakers, all with updated scores that reflect what is most in demand among moviegoers,” said Spangler. “Over the next two years, with the contributions of our fans, we plan to increase the size of our database tenfold, establishing The IF List as a valuable resource for discovering potential movies.”

How to Grab an Audience

When it comes to tech-savviness, I’m a Ph.D. – Push here, Dummy! So it took sitting through three similar sessions at Book Expo America to begin absorbing the technical aspects of a breakthrough marketing concept called BookGrabbr. The marketing part I grasped immediately since it echoed the concept that launched Booked: use personal contacts and endorsements through the internet in ever-widening circles to broaden awareness and interest in new authors and books. What excites me about BookGrabbr is how quickly, widely, inexpensively and relatively easily a book could be promoted.

The online marketing tool allows authors and publishers to give away eBooks or sections of eBooks in exchange for a social share from consumers. The idea is that by offering consumers books by requiring them to post about it on Facebook, Twitter, or LinkedIn, they will spread the word about the book with their networks and the books will take off virally. For self-publishing authors, the digital file they create for Print on Demand, eBooks or traditionally printed books can be used with BookGrabbr. Hachette, Simon & Schuster, Worthy, Regnery, Beaufort and Dunham Books are among mainstream publishers test driving BookGrabbr as a new social media marketing tool. An attractive featured benefit of BookGrabbr is the analytics provided to clients, including detailed demographics to help make better marketing and editorial decisions.

BookGrabbr’s library already contains more than 2,000 books, many from well-known authors and of popular titles. A “Grabb” occurs when someone “clicks” to download a book to their own BookGrabbr library. So, if an author’s book is “Grabbd” 500 times, and that author has 250 friends (less than the average number of “friends” the average Facebook user has), the total amount of potential impressions on Facebook would be 125,000.

In addition to Facebook, BookGrabbr supports platforms for Twitter and LinkedIn, further expanding a book’s reach. Each time someone chooses to read all or part of a book for free from the BookGrabbr library, they must make your book available to all of their social media friends. This implied endorsement of a book makes it more likely that “friends” will check it out, too. Books downloaded to a reader’s BookGrabbr library cannot be printed or shared. Availability of a book through BookGrabbr can be chosen for a limited time or ongoing.

Whether an author decides to offer an entire book or just excerpts will likely be determined by the author’s goals: building a “brand” (such as a series), getting people to purchase a printed edition of the book, wanting to build buzz for a book that could lead to sales, speaking engagements, etc. Offering a book through BookGrabbr is a way to get people talking and talking leads to sales. The possibilities are as plentiful as one can imagine.

There are other companies offering some of the services you get from BookGrabbr but it appears that none are as comprehensive or tech-progressive as BookGrabbr. It’s a company worth looking at.

Recommended

If you’ve long dreamed of experiencing a writers retreat at the famed Ragdale Foundation artists community but couldn’t qualify for a subsidized residency and couldn’t afford the unsubsidized program, you can still get a taste of Ragdale this fall. Story Studio Chicago is offering Writing the Landscape: A Ragdale Retreat September 25th-27th. Patricia Ann McNair, author of The Temple of Air, will lead an intensive, immersive weekend of writing, nature, creative instruction, and inspiration. Workshops will focus on writing the landscape, both interior and exterior. In between sessions, participants can wander the grounds, share meals with fellow writers, and enjoy a quiet place to relax and write.
Registration is now open for Daytime only and overnight spots.

But Elephants Can’t Tap Dance

Elephants are big and powerful. You can’t miss them and don’t want to stand in their way. There’s a lot to like about elephants. But there’s a problem with elephants: they can’t tap dance.

Major publishers are like elephants. They make a big splash in the pool of public awareness. They carry the bulk of book promotions and sales. They are noticed wherever they go and if you are an author, you want to be invited to ride them. But they can’t move as quickly and adeptly as competitors in a rapidly changing market.

As the publishing industry is changing to meet reader and author interests, smaller indie and university publishers are gaining on the behemoths of the book world. Even self-publishing is surging ahead in its ability to connect authors and their books with booklovers.

At last month’s Book Expo America, North America’s largest convention for the publishing industry, the biggest booths and the longest lines for author autographs were hosted by the major publishers, whose names you already know. And some giants you’ve never heard of: The largest presence, in booth size and speakers, was China (North America is viewed by China as a major market for publishing services as well as readers of Chinese and Chinese-to-English translations). But the programs discussing what is new or changing in the book world were largely run by indie publishers and self-publishing/marketing services.

Two sentiments frequently heard at BEA: 1) Major publishers put the bulk of their marketing support behind already-well-established authors leaving lesser-known authors to fend for themselves; smaller publishers have smaller marketing budgets but will work harder for emerging authors. 2) There are more choices and opportunities than ever for authors to make their mark in the book world.

Lines are blurring among service providers. For example some book distributors have become book producers with quality that successfully competes with traditional printing. Meanwhile, other distributors are helping authors get into previously inaccessible target markets such as libraries and the military. The internet and social media have opened doors wide for authors to promote their brand and their books where readers are increasingly influenced on buying decisions.

The savviest self-published authors have sold millions of books, matching or surpassing major publishers. The operative word is “savvy” – from good writing to production, distribution and marketing – regardless of who publishes a book, all the pieces of the puzzle must fit together to make a book a success. Authors must be prepared to walk their brainchild (or brainchildren) past the embryonic stage and birth to a long and successful life.

Future Booked blog posts will help authors through the process. To see my previous posts with information Authors should know, go to Categories and click For Authors.

Alive, Well & Kicking

Ignore all those Henny Penny the sky is falling reports that print books are at death’s door. I recently returned from Book Expo America in NYC and the industry filled all 4 levels of the city-block-size Javitz Center. All the major U.S. publishers were there, along with industry representatives from several countries (China had the largest presence with a hotel lobby-size exhibit area and many programs). Indie publishers and individual authors were also highly visible. Just as important were all the supporting service companies promoting their capabilities. The place was buzzing and everywhere you looked, there were books, books, books, beautiful printed books.

This is great news for authors and booklovers alike. Over the next few weeks, I’ll share with you what I saw, heard and learned at BEA. Here are some of the key observations:

• The major publishers (you know their names) are the elephants in the room, big and powerful but they can’t tap dance.
• Smaller, indie publishers are gaining in recognition and respect, helping to launch more great authors and books that are overlooked by the majors.
• Self-published books continue to grow as a percentage of new titles each year.
• E-books continue to be popular but print dominates by a wide margin.
• Services supporting self-published authors and their books are becoming more sophisticated, effective, accessible and user friendly.
• Social media is an increasingly driving force behind book sales.
• There are exciting new players on the field; watch them run!

If you are an author, know an author or want to be an author, you’ll find (and, I hope, share) a wealth of useful information in the coming weeks of the Booked blog.

Footnotes

Book Expo America is coming to Chicago! North America’s largest book industry convention will leave NYC in 2016 and come to McCormick Place May 11th-13th, bringing along its adjunct BookCon event on May 14th. BookCon is a newer event, geared to the general public. Consumers interact with the authors, publishers, celebrities and creators of content that influence everything we read, hear and see. BookCon features Q+A’s, autographing sessions, storytelling podcasts, special screenings, literary quiz shows and more. For anyone serious about being part of the book business, BEA is a must. For anyone who loves books, BookCon is a treat. Booked will keep you updated on these events as they develop.