Monthly Archives: March 2015

Why Master Novelist Michener Would Fail Today

“You must grab the reader in the first three paragraphs of a novel,” I was reminded once again at a presentation by a publisher last week. We live in a world of short attention spans and easily distracted focus. Raised on a diet of Sesame Street and graduating to USA Today, Twitter and Tumblr, our reading habits have been further shortened by social media. So much to read, so little time to read it all. There is no room in today’s literary market for the likes of James Michener.

Pulitzer Prize winner James Michener (1907-1997) was the author of such bestselling novels as Tales of the South Pacific (adapted as South Pacific in the Tony Award-winning Broadway musical and Academy Award-winning film), Sayonara, Hawaii, Centennial and The Source. A prolific writer of more than 40 books, often selected for Book-of-the-Month club, Michener was known for his expansive sagas that followed generations of families, set in geographic locales that were described in great detail, including meticulously researched factual history.

Today, agents and publishers would reject Michener’s manuscripts without finishing page one. He viewed place as a major influence on characters, typically using the first 50-100 pages of his novels to describe the geophysical origins of a locale before introducing characters that would carry the plot forward. Readers could skip the lengthy place descriptions but they rarely did because of the strength of Michener’s writing. Today’s authors can’t afford to keep their main characters and action waiting for 50 sentences, let alone 50 pages. Readers have no patience for it. Agents and publishers have no patience for it. Alas, I no longer have patience for it. Sadly, Michener would fail today.

Quotable

All of the following quotes are from James Michener:

I love writing. I love the swirl and swing of words as they tangle with human emotions.

I’m not a very good writer, but I’m an excellent rewriter.

The really great writers are people like Emily Bronte who sit in a room and write out of their limited experience and unlimited imagination.

I think the crucial thing in the writing career is to find what you want to do and how you fit in. What somebody else does is of no concern whatever except as an interesting variation.

If your book doesn’t keep you up nights when you are writing it, it won’t keep anyone up nights reading it.

Being goal-oriented instead of self-oriented is crucial. I know so many people who want to be writers. But let me tell you, they really don’t want to be writers. They want to have been writers. They wish they had a book in print. They don’t want to go through the work of getting the damn book out. There is a huge difference.

Public libraries have been a mainstay of my life. They represent an individual’s right to acquire knowledge; they are the sinews that bind civilized societies the world over. Without libraries, I would be a pauper, intellectually and spiritually.

A nation becomes what its young people read in their youth. Its ideals are fashioned then, its goals strongly determined.

Pet Projects

Until one has loved an animal a part of one’s soul remains unawakened.— Anatole France

Earlier this month, I had to let our family’s lovely rabbit, Oliver, be euthanized. I wish I could use the euphemism “put to sleep” but there is no awakening and the loss is permanent. The hole in my heart will eventually fill with memories. This post is dedicated to Oliver, Arrow, Dusty, Mucki, Rosette, Sunset, Frisky, and Taffy; and to all the lovely creatures that are the golden threads in the tapestry of our lives.

Anyone who has ever loved a pet understands the price we pay to have these dear creatures in our life; that we may be called upon to help them one last time, even as our hearts are breaking.

One is lucky to love an animal. One is lucky also to have limitless access to animals through great literature. We grow up on fairy tales populated by animals and continue to find them in some of the most enduring literature throughout our lives. Among the best and brightest stories involving animals are:

Fiction for All Ages
Black Beauty – Anna Sewell
Where the Red Fern Grows – Wilson Rawls
The Call of the Wild – Jack London
The Black Stallion – Walter Farley

Fiction for Adults
Watership Down – Richard Adams
Animal Farm – George Orwell
The Art of Racing in the Rain – Garth Stein

Non-Fiction
Marley and Me – John Grogan
All Creatures Great & Small – James Herriot
Seabiscuit: An American Legend – Laura Hillenbrand
Born Free: A Lioness of Two Worlds – Joy Adamson
Never Cry Wolf – Farley Mowat

Written For Young Children, Loved By Adults
Charlotte’s Webb – E.B. White
The Velveteen Rabbit – Margery Williams
The Tale of Peter Rabbit – Beatrix Potter
The Secret of NIMH – Seymour Reit
The Story of Ferdinand – Munro Leaf
Stellaluna – Janell Cannon
Make Way for Ducklings – Robert McCloskey

I think I could always live with animals. The more you’re around people, the more you love animals. — Walt Whitman

The (P)luck of the Irish

Whether or not you wear green, eat bangers and mash, lift a pint of Guiness and sport a shamrock pin that says “Kiss Me, I’m Irish” on St. Patrick’s Day, it’s a great day to consider the contributions of Irish literature to the English lexicon.

Irish has one of the oldest vernacular literatures in western Europe (after Greek and Latin). In fact, its writing includes Latin, as well as Irish and English. The Latin dates back to the 7th century, written by monks. English was introduced in the 13th century with the Norman Conquest of Ireland.

Until the 1800s, the Irish language dominated Irish literature. In the latter part of the nineteenth century, English rapidly became the main language in society and in literature. A Gaelic revival took place at the end of the century but it’s the authors writing in English who have had the widest, most enduring success.

Perhaps the most famous Irish author, certainly the one who had greatest impact on English language literature of the 20th century, was James Joyce. I posted a piece about him, The Joy in Joyce, on this blog site last June. A long list of other notable Irish authors includes Jonathan Swift, W.B. Yeats, Oscar Wilde, Samuel Beckett, Bram Stoker, George Bernard Shaw, Edna O’Brien, Seamus Heaney, Brian Friel, Colm Toibin and John Banville. Yeats, Shaw, Beckett and Heaney were recipients of the Nobel Prize. For such a small country, Ireland has attained a high visibility in the literary world.

Many Irish-born authors did not remain in Ireland but they brought the rich cultural heritage and the spirit of the island into their writing. The geography, the history, the very air and water infused the themes and the cadence of the novels, memoirs, poetry and plays produced by Irish writers.

Some authors and books to start your Irish journey might include:
Oscar Wilde: The Picture of Dorian Gray (novel); The Importance of Being Ernest (play).
Bram Stoker: Dracula (Gothic horror novel).
W.B. Yeats: The Collected Poems (poetry).
G.B. Shaw: Pygmalian (play); Candida (play).
James Joyce: Dubliners (short stories); Ulysses (novel).
Maeve Binchy: Circle of Friends (novel); Evening Class (novel.
Seamus Heaney: District and Circle (poetry); Opened Ground (poetry).
Edna O’Brien: Saints and Sinners (short stories); The Country Girls (Trilogy).

There’s an Irish saying, “If you’re enough lucky to be Irish… You’re lucky enough!” I’ll add to that, “Even if you are not Irish… luck will find you when you read Irish literature!”

Quotable

I never travel without my diary. One should always have something sensational to read on the train. – Oscar Wilde

There are no strangers here, only friends that have not yet met. — William Butler Yeats

Life is no brief candle to me. It is a sort of splendid torch
which I have got a hold of for the moment, and I want to make it burn as brightly as possible before handing it on to future generations.
— George Bernard Shaw

Books, the children of the brain. – Jonathan Swift

How Much Is That Book?

A talented young woman recently told me she wanted to self-publish a children’s book and she was sure she could peg the cover price at a number that fit in with the story. She felt sure of her strategy because she had priced the print production of the book and believed the difference between printing and sales would be her handsome profit. Whoa Nelly! She was going to price herself into debt. I saved this author from going bankrupt with a dose of publishing reality I want to share with you.

The end of production is only the first phase of what it costs to get a book into the hands of readers. If you want your book in bookstores and libraries, you need a distribution service such as Ingram or Baker & Taylor; their fee is 15% of the book’s cover price. Bookstores take a 40% cut of the cover price of your book. Amazon, which acts as distributor and bookseller, takes 55% of your cover price.

If you need help creating or running your website, assistance with marketing and publicity, or travel to book signings and other sales venues, you’ll need to dip into your pocket to fund those efforts. (If you go with a traditional publisher, all these costs plus overhead will be deducted from the book’s sales price before you see any royalties; those royalties will be much smaller than you expected.)

To price a book correctly, it’s important to understand all the cost factors associated with a book’s journey from the start. To keep the cover price competitive in its genre and format while preserving a profit for yourself, you need to make smart decisions at every step. The scary thing is that you don’t always know what you don’t know.

Fortunately, there are many resources to help. They include professional associations, writing groups, college programs, magazines, books and the internet. While the internet offers easily accessible free, current information on every topic, caveat emptor: carefully investigate any services that require payment or promise the moon on a shoestring budget; you get what you pay for … which may be less than you need.

Develop your networks. Be generous in sharing what you’ve learned with others because they will remember and repay the favor when they can. Click on the “For Authors” category from the Categories list on this blog site to see my previous posts. Several are specifically about self-publishing and many others will add helpful knowledge for your journey.

Next time someone complains about the cost of a book, you can explain why.

Recommended

The AWP Conference & Bookfair, an annual destination for writers, teachers, students, editors, and publishers, will be held in Minneapolis this year from April 8-11. This year’s conference will feature over 2,000 presenters and 550 readings, panels, and craft lectures. The book fair hosts over 700 presses, journals, and literary organizations from around the world. AWP’s is now the largest literary conference in North America. The AWP website has details.

Book Expo America (BEA), the largest annual book trade fair in the U.S. will be held in New York City this year from May 27-29. More than 750 authors, hundreds of new titles, 1,000+ exhibitors, and four Author Stages, along with the Digital Discovery Zone (D2Z) provide by the International Digital Publishing Forum (IDPF) make this one of the best environments for networking, sourcing, and relationship building in the publishing industry in North America. The BEA website has details.

In Like a Lion, Out Like a Lamb

March is the month when changing weather takes on the characteristics of animals: in like a lion, out like a lamb. In literature, a character who goes through an important internal change (in personality or attitude) is called a dynamic character. A familiar example of a dynamic character is Dickens’ Ebeneezer Scrooge in A Christmas Carol.

Having to resolve a central conflict or facing a crisis results in the dynamic character’s permanent change. The evolving change shows character development. Because resolving the conflict is key to the story, the role is given to a central character rather than a peripheral one.

The best-written characters are multi-dimensional, with good and bad qualities, just like the rest of us. The change in the dynamic character does not affect all those qualities; that would be unrealistic and make the character less interesting, less believable.

Other examples of well-known dynamic characters in literature include:
Hamlet’s changed view of death.

Jean Valjean changes several times in Les Miserables, from ex-convict outcast to honest mayor and beloved father to revolutionary hero.

Sherlock Holmes’ changed view and treatment of women in A Scandal in Bohemia. In other stories, Holmes remains a static character, which makes him an interesting, believable multidimensional character.

Harry Potter changes from an orphaned child to a world-saving wizard adult.

Michael Corleone proves, in The Godfather, that change is not always for the good as he evolves from an optimistic war hero to a ruthless mafia don.

Love ‘em or hate ‘em, the most interesting characters are dynamic … just like March weather.

Quotable

It was one of those March days when the sun shines hot and the wind blows cold: when it is summer in the light, and winter in the shade. – Charles Dickens, Great Expectations

All in the wild March-morning I heard the angels call,–
It was when the moon was setting, and the dark was over all;
The trees began to whisper, and the wind began to roll,
And in the wild March-morning I heard them call my soul.
– Lord Alfred Tennyson

Our life is March weather, savage and serene in one hour. — Ralph Waldo Emerson

Daffodils,
That come before the swallow dares, and take
The winds of March with beauty.
– William Shakespeare, The Winter’s Tale