Monthly Archives: August 2014

The Pains & Passions of Labor

It is interesting – and disappointing – to see how organized labor is losing ground in the United States. I say this, not as a political statement but as an historic observation. Like so many advancements we take for granted, many of the labor laws that restrict abuses against workers and provide life-enhancing benefits for society were achieved through the efforts and sacrifices of union organizers and members.

Organized labor has lost support in recent years, in part due to its own management, political manipulation, and Capitalist efforts to maximize profits for investors and owners. Almost certainly, time’s effect on memory along with the encroaching distractions of everyday life has pushed understanding of the forces behind worklife to the background for most workers. To forget or to ignore is to lose ground that was hard fought and won over the decades, jeopardizing the relatively new labor advancements we take for granted; these include limited work hours, safety regulations, child labor laws, environmental protections, a minimum wage and negotiated benefits through collective bargaining.

The history of labor through the decades and centuries has been the basis of some excellent non-fiction literature and the inspiration for classic fiction.

Among non-fiction books of note are:

Triangle: The Fire That Changed America by David von Drehle
Growing Up in Coal Country by Susan Campbell Bartoletti
Free the Children: A Young Man Fights Against Child Labor and Proves that Children Can Change the World by Craig Kielburger and Kevin Major
Nickel and Dimed by Meredith Melnick
The Labor Wars: From the Molly Maguires to the Sit-Downs by Sidney Lens
Death in the Haymarket: A Story of Chicago, the First Labor Movement, and the Bombing That Divided Gilded Age America by James Green

Classic fiction inspired by workers and labor unions include:

Ironweed by William Kennedy
The Jungle by Upton Sinclair
The Grapes of Wrath by John Steinbeck

On this Labor Day holiday, as you celebrate with family or friends in a leisurely way, you may want to check out one of many good books about workers and organized labor to read about how we arrived where we are. Let the books inspire you to work at making work better for everyone.

Quotable

I’ve always been amused by the contention that brain work is harder than manual labor. I’ve never known a man to leave a desk for a muck-stick if he could avoid it. – John Steinbeck

Labor is prior to, and independent of, capital. Capital is only the fruit of labor, and could never have existed if labor had not first existed. Labor is the superior of capital, and deserves much the higher consideration. — Abraham Lincoln

Where free unions and collective bargaining are forbidden, freedom is lost. — Ronald Reagan

Recommended

If you’ll be within a couple of hours of Wilmington, North Carolina, September 18th or 19th, you’ll have a double chance to buy a collector’s quality limited edition of the book as part of a 2-day Centennial celebration of screen legend Tyrone Power. This updated and expanded English language version of Romina’s 1998 Italian best seller made its debut this year and is available only at Centennial events.

On September 18th, a March of Dimes fundraiser luncheon at the Country Club of Landfall will honor Tyrone Power who, among his many charitable activities, was a longtime supporter of March of Dimes. On September 19th, historic Thalian Hall (where Tyrone Power Sr. starred in Macbeth in 1888) will celebrate Tyrone Power with a special reception and screening of the great John Ford film, The Long Gray Line, showcasing Tyrone Power’s superb acting and enduring appeal.

You’ll have a chance to meet Romina (an international star in her own right), along with her acting siblings Taryn and Tyrone Jr. at both events where they will autograph books. If you can’t make it to Wilmington but would like information about other Centennial events, the collector’s first edition of Searching for My Father, Tyrone Power or the trade edition of the book that will be published later this year, contact tyronepwer.firstedition@gmail.com.

Cover Controversy

My April 28, 2013 blog – The Great Cover-Up – discussed the impact of book covers on sales. I was reminded of the post when I learned of the uproar over a recently released edition of Roald Dahl’s Charlie and the Chocolate Factory. It seems the latest cover of the classic book – written for children but carrying the undercurrent of adult themes – has a decidedly adult image; it features a young girl who hauntingly resembles the murdered Jon Benet Ramsey and most little pageant queens in the Toddlers and Tiaras television show.

Presumably, the girl on the cover represents one of the significant characters in the book, but she is not the most significant character or even the most significant secondary character. However, her depiction on the cover is intentionally shocking. Some critics call the new cover “creepy”.

This is a far cry from previous covers of Charlie and the Chocolate Factory that are brightly colored and usually cartoonish; the most famous popular cover was the 1995 fourth edition cover, created by illustrator Quentin Blake who frequently collaborated with Dahl on his books.

While the publisher of the Modern Classic edition (Penguin UK) intended their new version to attract adult readers, it is disconcerting to readers who consider this as solely a children’s book, imagining the characters as depicted on earlier covers or through Technicolor fantasy movies.

A similar backlash was launched after the Leonardo DiCaprio movie version of The Great Gatsby became the source of a new book cover, replacing the iconic design chosen by the author, F. Scott Fitzgerald.

“People respond the way they do because they care, and they care about the book the way they remember it,” said Chip Kidd, a New York-based graphic designer who churns out about 75 book covers a year.

Classics are classics for a reason. People embrace the full book experience – at least with printed books; eBooks are less likely to build the same adoration. Classics remain with us, they are ageless. They feel more solid and reliable, not fleeting like the images and messages that bombard us daily through modern technology and a changing culture.

Covers count.

Recommended

One of the most touching covers you’ll see is the one on Searching for My Father, Tyrone Power by Romina Power. If you’ll be in the Wilmington, North Carolina, area September 18th or 19th, you’ll have a double chance to buy a collector’s quality limited edition of the book as part of a 2-day Centennial celebration of screen legend Tyrone Power. This updated and expanded English language version of Romina’s 1998 Italian best seller made its debut this year and is available only at Centennial events.

On September 18th, a March of Dimes fundraiser luncheon at the Country Club of Landfall will honor Tyrone Power who, among his many charitable activities, was a longtime supporter of March of Dimes. On September 19th, historic Thalian Hall (where Tyrone Power Sr. starred in Macbeth in 1888) will hold a special reception and screening of the great John Ford film, The Long Gray Line, showcasing Tyrone Power’s superb acting and enduring appeal.

You’ll have a chance to meet Romina (an international star in her own right), along with her acting siblings Taryn and Tyrone Jr. at both events where they will autograph books. If you can’t make it to Wilmington but would like information about other Centennial events, the collector’s first edition of Searching for My Father, Tyrone Power or the trade edition of the book that will be published later this year, contact tyronepwer.firstedition@gmail.com.

Picture This

Most of us started reading with the help of picture books. Some of us moved on to comic books. Some of us moved on to graphic novels. All of us, it’s safe to say, have continued to read books that sometimes have pictures – photos or illustrations.

When we think of pictures in adult fiction, we tend to think of graphic novels with drawings. But fiction can also benefit from photos. An excellent example is Carol Shields’ Pulitzer Prize-winning The Stone Diaries. Shields cleverly employs photos and even a faux family tree to convince us of the reality of her fictional autobiography. While her writing paints vivid time, place and characters in the mind’s eye, the addition of photos solidifies her view for us.

Jack Finney, in Time and Again and its sequel, From Time to Time successfully uses illustrations and photos to enhance his stories. The promotional blurb on Time and Again calls the book “the classic illustrated novel”.

The concept of photos dates back at least as far as 1892 and Bruges-la-Morte by Belgian writer George Rodenbach, the first known work of fiction illustrated with photos . Since then, other notable novels employing photos include Orlando by Virginia Woolf and Jonathan Safran Foer’s Extremely Loud and Incredibly Close.

As more authors incorporate pictures in their fictional works, scholars are suggesting these books have their own genre. Suggested names for the genre include “iconotexts”, “image-texts”, “pictorial fiction”, “visual fiction” and the tripping-off-the-tongue “photography-embedded fiction”. Don’t worry what to call it … just picture it!

Quotable

It occurs to her that she should record this flash of insight in her journal – otherwise she is sure to forget, for she is someone who is always learning and forgetting and obliged to learn again… — Carol Shields, The Stone Diaries

Words are our life. We are human because we use language. So I think we are less human when we use less language. – Carol Shields

Paperbacks – The Hybrid Book?

When I’m home, I prefer to read hardcover books but when I travel, I choose paperbacks. The reason is obvious: portability. Eventually, I will give in and get an eReader because it trumps paperbacks for portability, except that paperbacks don’t require battery power. With digital books, I will miss the sensory pleasures one gets with the touch or smell of paper that paperbacks offer. Even with an eReader, I’ll probably still carry a paperback when I travel.

I hadn’t given much thought to the health of the paperback industry until a couple of months ago when I saw an obituary for a man named Oscar Dystel. No, I hadn’t heard of him either, but I learned he was the publisher who “saved the paperback” in the mid-1950s.

When Dystel arrived at Bantam Books, founded in 1945 to maximize profits from new paperback production advances, the company had gorged on success but overextended itself and was on the brink of bankruptcy. As Bantam’s new president, Dystel reduced inventory while expanding publication to classics, school and children’s books. He also had a keen sense for what the public would respond to: appealing covers on the outside and riveting stories on
the inside. In just a few short years, he turned around Bantam Books, setting new standards that other publishers followed.

Another major paperback publisher, Penguin, celebrated its history in 2009 with a commemorative retrospective book, The Book of Penguin. It opens, “This is a book about the most advanced form of entertainment ever. You can pause it at any time. Rewind and replay it if you miss a bit … It’ll fit in your pocket. It’s interactive … It’s pretty cheap. It’s completely free to share. And it lasts a lifetime. This is a book about books.”

In the five years since that self-celebration, eBooks have swept the market. In 2011, Amazon reported that eBooks outsold paperbacks and hardcovers combined. The upward trajectory of eBooks continued, at the expense of paperbacks. The 2013 BookStats report noted that eBook sales grew 45 percent since 2011, capturing 20% of the trade market. More ominously, Publishers Weekly said trade paperbacks saw a sales decline of 8.6 percent and total mass-market paperback sales fell by 20.5 percent between 2011 and 2012.

Before you mourn the death of paperbacks, consider this: sales reports don’t account for secondhand sales. There are no secondhand eBooks but secondhand paperbacks are wildly popular. Also, there are some genres that don’t sell well as eBooks but flourish in paperback form; popular narrative nonfiction and the pop-science books, for example.

The strongest hope for the continuation of paperbacks may lay with the intense market interest in indie books, a key force behind the growing popularity of indie bookstores. Readers are searchers. The physicality and staff experience offered by those stores offer “discoverability” – an element missing from digital books and online booksellers. Paperbacks make discoverability more affordable.

The role of books in all their forms is evolving. Fortunately, there’s a place for all of them.

Quotable

The paperback is very interesting but I find it will never replace the hardcover book – it makes a very poor doorstop. – Alfred Hitchcock

Under the Skin & Across the Gender Line

If men are from Mars and women are from Venus, can we ever really understand each other? If it’s so hard for people to understand how the opposite gender thinks, how is it possible that some authors write so fabulously from the opposite gender’s view?

It’s really no different from a writer of a particular age, religion, race, nationality, ethnic group, or social standing creating believable characters who are at the other end of the spectrum. Crossing gender lines requires getting under the skin of the character, acknowledging universal human qualities, thoughts and feelings, then respecting that character’s otherness. In a word, it requires empathy. One must be able to feel what another experiences, then imagine how those feelings would make the other one respond. Even if the writer does not like what a character does, the writer must feel the reasoning behind the action. Because it is the character’s “truth”, even if it is not the author’s.

Armed with empathy, all good authors also have a keenly developed sense of observation. They break through clichés to notice the details that make us unique and alike, the exotic and the familiar. For a character to be interesting and memorable, readers have to recognize aspects of themselves while being amazed or amused by differences. That’s what great authors bring to their characters, even when the main character is of the opposite gender.

Authors who have been especially successful creating main characters of the opposite gender include Gustave Flaubert (Madame Bovary), Mary Shelley (Frankenstein), Lewis Carroll (Alice in Wonderland), Edith Wharton (Ethan Frome), Leo Tolstoy (Anna Karenina), George Eliot (Silas Marner and Middlemarch), Theodore Dreiser (Sister Carrie), J.K. Rowling (Harry Potter) and Steven King (Carrie and Dolores Claiborne). Of note is the very contemporary indie novel Transition to Murder (originally published as Coming Out Can Be Murder) by Renee James. This excellent crime thriller/psychosocial study is written by a transgender woman whose main character is a transgender woman going through the transition from living as a male to living as a female while seeking justice for a murdered transgender friend.

When an author successfully crosses the gender line and gets under the skin of a character, the journey is so smooth that we don’t realize the bend at the beginning of the path.

Footnotes

A study by David Comer Kidd and Emanuele Castano, of the psychology department at New York’s New School for Social Research, suggests that reading literary fiction (compared to pop fiction) better prepares people to sense and understand others’ emotions. The study, published in the journal Science, suggests that literary fiction “may change how, not just what, people think about others.”