Monthly Archives: March 2014

The Questions All Authors Should Ask-Part 2

In last week’s blog, I talked to “pre-published authors” (another way of saying, “you’ve been in labor but your book hasn’t been born yet”) about the book birthing experience. After you’ve answered the first two most important questions — 1) Why do I want my book to be published? and 2) How much control am I comfortable giving up? – The next two questions to ask yourself are:

1) What will it take to get my book accepted by the kind of publisher I want?
2) How long am I willing to wait to get my book to market?

1) What will it take to get my book accepted by the kind of publisher I want? Aside from preparing your manuscript in the format required by any publisher you hope to work with, there are some key differences in what else you need to do.

Going after a major traditional publisher? You’d be well-advised to find the best literary agent you can (see my previous blogs on the subject). You should also consult a literary attorney before signing any publishing contract, unless you want your pockets picked by the folks whose job is to take as much control over — and profit from — your book as possible.

Smaller publishers such as university presses and independent publishers are not as hard to approach and they will usually work more closely with you. The key here is to find publishers that work with your genre because they know how to market to your target audience. Although hiring an agent is not as critical when approaching these publishers, an agent or a publishing consultant can be invaluable. Legal counsel before signing a contract is always advisable.

Self-publishing companies will consider every manuscript sent to them because you are paying for their service. Still, you shouldn’t rush the selection or preparation process because if you do, it will cost you heavily in the end. Do your homework to find the best fit for your type of book and the particular services you will need.

2) How long am I willing to wait to get my book to market? If time is not a consideration, you could submit your query and manuscript to as many publishers as you want. The largest traditional publishing houses can take up to a year to get back to you, even if it is to reject you without having read your manuscript. Smaller traditional and indie publishers may take as long as 6 months (the delay caused by smaller staff and production capabilities) but they usually are more responsive. Of course, you might get responses sooner, hopefully positive ones, but be prepared to wait. And wait. Don’t get discouraged but don’t quit your day job.

A self-published book can get to market in as little as two months – if you know what you’re doing and are willing to put in 18-hour days, 7 days a week for much of that time. And no first-time self-publishing authors ever totally know what they are doing!

Another factor in the timing it takes to get a book to market is the format of the book. Printed books almost always take longer than eBooks to produce. Also, a commitment to quantity is required with printing but not with eBooks, which can be produced on demand. Just as self-publishing is a growing trend, so are eBooks. So many choices mean… so many choices an author needs to make. Make sure your choices are well-informed.

Now that you know what it takes, and how long it takes, to birth a book, there are two more major question to ask: 1) How will my books reach readers? and 2) What influences the life and death of book sales? We’ll address those questions next week in Part 3.

Footnotes

The more an author understands about the rapidly changing world of publishing, the better his or her chances of success getting published, getting sold and reaping rewards. For an excellent article about moving from traditional to “artisanal” publishing, see Kathy Caprino’s post at Forbes. One blog that will lead you to other useful blogs about self-publishing is Voxie Media. A useful blog about trends in eBook sales by traditional publishing houses and self-publishing companies can be found at the Huff Post Book Blog. To learn more about submitting your manuscript to traditional publishing houses, start by learning how to find the best agent for your book. You can learn more about how to find an agent at my February 23rd Booked blog post “A is for Agent.”

The First Questions All Authors Should Ask-Part 1

The book is written. You want to get it published. If you don’t ask these two questions first, you are doomed to disappointment:

1) Why do I want my book to be published?
2) How much control am I comfortable giving up?

1) Why do I want my book to be published? As nice as it is to make money, it usually is not the first (or second, or even third) reason authors want their book published. How widespread or how targeted you want your readership to be will help determine the type of publisher you should be seeking: traditional big publishing house, university press, smaller independent publisher, or self-publisher. Within each of these categories there are varieties of publishers specializing in certain genres, formats and distributorship.

2) How much control am I comfortable giving up? Some people like to feel in control of every aspect of their life while some are delighted to leave all decisions up to others. The more advance money you accept, the less control over the product and sales you will have. Where you fit in on the spectrum of acceptable control will determine what type of publisher you will be most comfortable with.

At one end, traditional publishing offers the most in advance payment and marketing support but they make the artistic and marketing choices. They determine whether your book sells or sits in a warehouse, which affects royalties. You give up virtually all control until/unless your rights return to you, which could be a long time coming.

At the other end, self-publishing is just that. You pay for everything and become responsible for every aspect of your book’s production and sales; more details than you’ve probably considered. You also get to choose which responsibilities you want to take over and which you will pay others to handle for you. Self-publishing gives you complete ownership and control of your work — and the flow of your money — from the get-go.

In between traditional and self-publishing is a range of University Presses and Independent Publishers, who will negotiate the various aspects of payments or fees and available services. The degree of your control over your book will depend on the deal you strike.

Once you’ve answered these first two important questions, the next two important questions to ask are:

1) What will it take to get my book accepted by the kind of publisher I want?
2) How long am I willing to wait to get my book to market?

We’ll explore that in next week’s blog.

Quotable

“It’s still the weight of the book that calms me, the feel of the paper under my fingertips as I turn the page that grabs me. This pleasure is sharpened by understanding that what I love at this moment has only been loaned to me. I can possess it fully but temporarily — just like life.”—Gina Barreca, humor writer and professor, in the HuffPostBlog.

Gutenberg Redux

When you hear the name “Gutenberg”, your first thought probably is of the Gutenberg Bible. Printed in the 1450s by Johannes Gutenberg, in Mainz, Germany, the Gutenberg Bible was the first major book printed in the West using movable type. It was the revolutionary advancement in technology that introduced printed books to the Western world.

But do you know about Project Gutenberg? Founded in 1971 by Michael S. Hart, it is part of an equally revolutionary advancement in book publishing: the eBook. Hart, who unfortunately passed away in 2011 at age 64, invented eBooks. His Project Gutenberg continues its mission of digitizing and archiving cultural works, to “encourage the creation and distribution of eBooks”. Not only is Project Gutenberg the oldest digital library, it is one of the largest and it is free.

Project Gutenberg offers more than 42,000 free ePub books and free kindle books that you can download or read online. An additional 100,000 free eBooks are available through Project Gutenberg’s partners, affiliates and resources. All their eBooks are high quality and were previously published by “bona fide publishers”.

A new service from Project Gutenberg facilitates online publishing by contemporary authors through its self-publishing portal. It offers a free Authors Community Cloud Library, a social network Self-Publishing Portal. This Portal allows authors to share their works with readers as well as allows readers to provide comments, reviews and feedback to the authors. Every eBook has its own Details Page, Star Ratings, and Reader Comment area. There is no charge for using this service. Registration is not required for reading or downloading the publications or comments. However, registration is required to upload a book or post a comment.

Project Gutenberg is a remarkable volunteer-driven venture. They are grateful for donations of money and services. Whether you’re a booklover or an author who is a booklover, Project Gutenberg is a revolution you should join!

You Oughta Be in Pictures

How did your favorite movies of the past year fare at this year’s Academy Awards? Critics and fans alike said this was an extraordinary year for excellent movies. To booklovers, it comes as no surprise that four of the nine Best Picture nominees were adapted from books. Those movies are Captain Phillips, Philomena, 12 Years a Slave and The Wolf of Wall Street. And the Oscar went to 12 Years a Slave. The books behind these movies are all non-fiction. In recent years, novels also were adapted into Best Picture winners. These included Slum Dog Millionaire (2008), No Country for Old Men (2004) and Million Dollar Baby (2003).

Once upon a time, it seemed that great books rarely transformed into great movies. Times have changed as plot lines and descriptions in books are more valued by filmmakers. Possibly this change has also been as authors have grown up with movies, their appreciation for that art form inspires how they write.

Some people are concerned that literacy is diminishing as people skip books in favor of movies. Why spend many hours engaged in the active reading of books when you can get the entire story faster and easier by sitting in a theatre being passively entertained for a couple of hours? But let’s remember that these movie adaptations are made because of books that excited enough readers to come to the attention of filmmakers. Conversely, some movies lead people to the books that inspired them. The Monuments Men did not get stellar movie reviews but the story line attracted new readers to a good book they had previously overlooked.

The social media website BuzzFeed offers a list of 16 books you should read that have been adapted into in films released, or to be released, in 2014.

There will always be room for various art forms to express a good story and we should celebrate all of them.

Recommended

Renee James, award-winning author of Coming Out Can Be Murder, has just released her book with a revised title, Transition to Murder, and a major plot change. Both versions of the book are available in print and digital formats. You can see my two-part interview with Renee James in the Booked webcast Archives, along with all my other author interviews.

You Gotta Hear This

Recorded books date back to the 1930s, when the Library of Congress created a “talking books” program for the blind. For years, audio recordings of books were considered the realm of the sight-impaired. Changes in lifestyle and advances in technology have changed all that. Whether travelling, working out in the gym, engaging in some rote physical activity or simply taking a long walk, booklovers everywhere are using audiobooks to be informed, entertained or enlightened. Not only has technology transformed how we listen to audiobooks, it has expanded the choices of what we listen to. And booklovers are listening!

The Audio Publishers Association (APA) is the organization that monitors and promotes the audiobook industry. It reports that audiobook products, services and sales have been growing steadily for more than a decade and estimates that the total size of the audiobook industry, based on the dollars spent by consumers and libraries, exceeds $1.2 billion.

Audiobooks have followed the same technological path as music records, freed from bulky plugged-in machines with disks to portable cassettes to more portable CDs and, now, as downloads to smartphones. Production costs and purchase prices are dropping deeply while demand is climbing. But price, along with convenience and portability, account for only part of growing audiobook popularity. Selection and quality have also dramatically risen.

Just as we started to see new book titles go straight to eBooks without first being available in print, new titles are showing up in audiobooks that were not previously in print. It’s not surprising that the digital evolution is starting to pair eBooks with audiobooks. Audible, a company owned by Amazon, has paired some 26,000 eBooks with professional narrations. The company is adding more than 1,000 titles a month and aims to eventually bring the number to around 100,000.

“Professional” narration often means professional actor narration in the audiobooks being produced today. It’s not unusual to find your favorite movie and stage actors narrating books. Seeing great potential in audiobooks, producers are investing in high-quality production values. Max Brooks, author of the zombie novel World War Z scored a huge audiobook winner with 60,000 CDs and digital-audio copies sold in advance of the release of the movie taken from his novel. The success was fueled by an elaborate production with 40 cast members, including some A-list actors.

While sales figures indicate the public’s embrace of audiobooks, the format does have its critics who are concerned that this format will diminish the pleasure or comprehension of reading, even reduce the appreciation of the printed word. Many worry about a potential recession in traditional print books. Scientists, authors and booklovers debate the benefit and detriment that audiobooks might bring to literacy and literature. You be the judge.

For more about the rise of audiobooks, read the Wall Street Journal article, “The New Explosion in Audio Books”.

Recommended

Wondering what audiobooks might be worth listening to? You can find top recommendations at Salon, Huffington Post, The Washington Post and The New York Times.

Authors in the Chicago area may have a tough decision to make in March when two interesting workshops are scheduled on March 22nd. Story Studio offers “Building your Author Platform” and the Ragdale Foundation offers “Finding Home: Writing & Publishing in the Global Community”. Participation in these programs is limited, so act soon.