Monthly Archives: December 2013

The Fallacy of “Best Books of the Year”

I have a bone to pick with the concept of “best books of the year” lists.

To begin with, there is no concurrence about what books comprise the top 10 in any category. Books get rated in many ways, including by sales, by genre and by critical review.

Booksellers such as Amazon and Barnes & Noble issue their lists based on their own sales data. The established arbiters of literary achievement, such varied media as the New York Times, NPR and Forbes, present their own critics’ annual list for your consideration. Some websites will offer their readers’ top ten favorites based on online votes. Some lists are specific to a genre while others embrace all genres. The Daily Beast aggregated 40 major lists to offer “a ranked ultimate guide” based on critics’ lists – a list from lists.

Regardless of which lists are consulted, rankings of “the top books of the year” help guide readers to books that have achieved recognition for a variety of reasons. All well and good as far as that goes.

Here’s my issue: these widely publicized lists routinely omit self-published books and almost all books published by small presses. The lists are dominated by the few big traditional publishing houses with hefty promotional budgets and access to booksellers’ coveted store positions. Meanwhile, many thousands of fantastic self-published and small press- published books remain in obscurity. The authors who write those marvelous works are denied the financial support they need to continue producing quality books while booklovers are denied the treasures these books offer.

As you peruse the various lists of “Best Books of the Year”, remember that there is more than meets the eye. Much more. Certainly, you should consider reading some of the books on those coveted lists. But don’t cheat yourself of the rewards of great self-published and indie books. You’ll find some of them (along with more traditionally published books) at the Booked website. That’s a good start.

Another excellent source worth checking is the list of Indie Book Award winners (you’ll find Echoes of Earth on their award list; a book excerpt and interview with author L. Sue Baugh can be found at Booked). A third source for finding independently published gems is the Independent Publishers IPPY Awards list.

A note of interest: some bestselling books started out as self-published works before they were picked up by traditional publishers. Titles you might recognize include The Joy of Cooking; The Tales of Peter Rabbit; The Celestine Prophecy; John Grisham’s first book, A Time to Kill and Tell My Sons (you’ll find a book excerpt and interview with co-author David Murray at Booked).

Recommended

Calling all short story authors: The January 31st deadline is quickly approaching for the Chicago Tribune annual Nelson Algren Short Story Contest. This highly esteemed contest, established in 1986, has launched such writers as Stuart Dybek and Louise Erdrich. There is no entry fee. Winners get cash prizes and their stories are considered for publication in the Tribune’s Printers Row Journal. Submission guidelines are available online from the Chicago Tribune.

‘Tis the Season

Black Friday bled in two directions in 2013. It bled forward into Cyber Monday but, for the first time, it also bled backwards into Thanksgiving Day. It was a black and blue extended weekend for bargain-seeking shoppers while obliterating the concept of “holiday” for retail workers who had to toil in stores or handling online orders. The news coverage of the chaos that ensued across the U.S. reminded me why there is no deal great enough to entice me to a department store during the Thanksgiving holiday weekend. And why I tip extra to wait staff at any restaurant I visit on any major holiday. A friend in England told me she is concerned about a similar raucous response to this year’s introduction of Black Friday in the main shopping areas of her country.

Perhaps the commercial and social pressures we face around iconic holidays bring on the nostalgia we feel for Christmases past. Even people who do not celebrate Christmas welcome the cultural symbols. Every year, I look forward to hearing old, familiar songs about Christmas, snow and winter played on the radio. I plant myself in front of the TV with a mug of cocoa or Glühwein (mulled wine) to watch the annual showing of It’s a Wonderful Life. I celebrate my German heritage with marzipan stolen, lebkuchen, pfefferneuse cookies and other seasonal sweets on the dining table to share with family and friends. I’m sure you have your rituals, too.

At this time of year, whether we’re surrounded by loved ones, friends, or in solitude, we yearn for the comfort of the familiar. Seasonal stories of love, friendship, redemption and hope are the ones we return to year after year. Whether told in novels, novellas, memoirs, short stories, poems or illustrations, there’s no shortage of fabulous books to read and share during this reflective holiday season.

What are your favorite Christmas stories? Why are they your favorites? How have they impacted your life and what do they mean to you today?

Here’s my own list of 10 favorite Christmas tales. Almost all of them have been adapted to movies but they retain the most magic in their original printed form:

The Gift of the Magi – O. Henry 1905
A Christmas Carol – Charles Dickens 1843
The Little Match Girl – Hans Christian Andersen 1845
The Polar Express – Chris Van Allsburg 1957
Little Women – Louisa May Alcott 1868
Night Before Christmas – Clement Clarke Moore 1823
The Nutcracker – E.T.A. Hoffmann — 1816 (reimagined bestseller with Maurice Sendak illustrations 1984)
How the Grinch Stole Christmas – Dr. Seuss 1957
Olive, the Other Reindeer – J. Otto Seibold 1997
The Cat Who Came for Christmas – Cleveland Amory 1988

One more favorite, in fact my personal favorite Christmas-time story is the one I wrote: Santa Drives a Mini Cooper. As a holiday gift to my blog readers, I am offering a free download of this short story. Simply leave a reply to this blog entry mentioning “Evelyn’s Santa Story” and I’ll be happy to email this little holiday gem to you! I will use the email address you send me but it will not be posted or given to anyone else.

Footnotes

I usually provide Amazon links to book titles as a source to purchase the books. However, I encourage you to check with your local independent book store and library as your first source. Your support of community stores and libraries insures their ability to continue serving you.

Recommended

The story about a pair of booksellers who left Denver and set up shop on a remote Wyoming ranch with sheep has nothing to do with Christmas, yet will resonate with the holiday spirit for all booklovers. You can read it here.

Putting the “I” in Biography

Nelson Mandela’s epic struggle to lead South Africa out of the hell of apartheid was in full review by the media following his death earlier this month. His 1994 autobiography, Long Walk to Freedom also gained renewed interest with the release of an acclaimed new movie based on the book. Some media stories about Mandela included archived interviews with “Mama Africa”, the Grammy Award-winning South African singer and civil rights activist Miriam Makeba, who died in 2008. Makeba also wrote an autobiography, Makeba: My Story.

I never had the honor of meeting Mandela but I did meet Makeba. In fact, I was a guest in her New Jersey home in the mid-1960s. As a student at New York’s High School of Music & Art, I loved Makeba’s music. I carried around her 1960 debut record album, aware that her daughter, Bongi (known in school as Angela) was a fellow student. Bongi saw me with the album and we struck up a friendship that led to my overnight stay in the Makeba home. You would never guess such a soft-spoken, sweet-natured, humble woman was already a mega-star. Though small of stature, Miriam Makeba was a goddess. I was awed by her. However, it was decades before I would really understand her, only after reading her autobiography.

By the time Makeba’s autobiography was published in 1987, she had suffered cancer, the dissolution of several marriages, the sorrow of Bongi’s untimely death, a decades-long exile from her beloved South Africa homeland after she spoke against apartheid, and the loss of a welcoming U.S. after her marriage to a controversial political activist. Her autobiography appeared as she was beginning to reconnect with an appreciative American audience, just a year after her Graceland tour with Paul Simon.

The lives of Mandela and Makeba were closely intertwined, even when they were countries or continents apart. She used her voice in speeches and songs, supporting Mandela during his imprisonment. Like Mandela, she rose above personal losses and the wounds of bigotry, understanding that love eventually triumphs over hate. In 1990, a recently freed Mandela persuaded Makeba to return to her native land (on her French passport). At Makeba’s death, Mandela led tributes for the global singer who had courageously spoken out against apartheid.

Now, these two giants have left us. Others can tell us much about Mandela and Makeba but to truly understand them, one must step into their lives through their own words. In their autobiographies, we hear their voices and see through their eyes how they viewed themselves and the times in which they lived. Long Walk to Freedom and Makeba: My Story are proof of the powerful literary form called “autobiography.”

Recommended

Haven’t finished your holiday shopping yet? There’s always time to buy a book for that someone special. Browse the Book Excerpts page at Booked for a variety of books we’ve reviewed. Each one has a convenient “Buy the Book Now” link.

What’s Your Type(face)?

You probably don’t give it a thought but your enjoyment of a book is enhanced or diminished by the look of the letters that form the words that form the phrases that lead you through the pages. The design of those letters is a craft that has developed over centuries.

In traditional typography, the specific size, style and weight of a typeface is referred to as a “font”. This harkens back to the casting of metal dies for seals and currency in ancient times and, later, to the development of movable type when letters were molded in metal. A typeface comprises an assortment of fonts that share an overall design. With today’s digital technology, the terms “font” and “typeface” are often interchanged.

Most of the common, classic typefaces we use today – including Roman, Italic, Garamond, Caslon, Fleischmann, Bodoni, Baskerville – were created before the 1800s. Fewer typefaces were created in the 19th and 20th centuries but industrialization of the printing industry brought major advances in print technology. Computer digitization of typography in recent decades resulted in countless new typefaces, including such contemporary type designs as Times, Helvetica and Futura, as well as variations of the classic styles. Today, there are thousands of different typefaces, and new ones continue to be developed.

Quantity equals quandary for the self-publishing author. Being familiar with typefaces and their effect on the reader’s experience is one more opportunity to soar or sink. Fortunately, someone decided to create a list of the most popular book fonts, based on the Top Ten Typefaces Used by Book Design Winners.

If you look at older books, especially those produced by major publishing houses, you are likely to find a note about the typeface that was chosen. That lovely piece of information is rarely mentioned in contemporary books, especially those that are self-published. It’s a pity. Not that you would choose to buy or read a book based on the typeface of the text; simply to appreciate the art in the creation and the selection. It’s worth another look.

Publishing’s Plenitude & Pitfalls

Do you remember the 1982 sci-fi movie Tron? It’s about a computer programmer who is transported inside the software world of a mainframe computer, where he interacts with various programs as he tries to get back out. I feel like that programmer nearly every time I start working at my computer. An endless universe of cyber-choices, with tentacles reaching out, sucks me into a virtual vortex, devouring real time.

This dizzying experience happened again as I started preparing my blog about Self-Publishing. My original goal was to provide an update of industry statistics about newly published titles in 2012 and show the value of Booked as an innovative marketing concept. I started with Bowker, the official ISBN agency for the U.S. and its territories. “ISBN” stands for “International Standard Book Number”. An ISBN is a number that uniquely identifies a published book or book-like product, facilitating the sale of the product to booksellers and libraries.

Bowker’s report for 2012 says ISBNs show nearly 60% more self-published works than in 2011. Self-published titles in 2012 jumped to more than 391,000, up an astonishing 422% over 2007. Just one year earlier, Bowker had reported nearly 346,000 new titles published (traditional plus self-published), of which self-published titles accounted for 43%. Ebooks continue to gain on print, comprising 40 percent of the ISBNs that were self-published in 2012, up from just 11 percent in 2007.

Critics of Bowker claim the figures should be far higher because an increasing number of books are coming into the marketplace as direct author-to-reader sales without the ISBN numbers that enable tracking. That means self-published titles are even higher than reported!

The bottom line for authors is that it is easier than ever to get published but harder than ever to compete for sales and readership. This is true for traditionally published books but much more so for self-published works. Authors can no longer view themselves purely as artists creating literary works. They now have to also don the hat of business owner; the business is selling their book.

Our rapidly evolving literary marketplace has created a new service infrastructure in publishing to fill the needs of authors with books to sell. In addition to companies that actually produce print, digital or audio books, companies offer a variety of post-production services. For the uninformed author, the new infrastructure is a dangerous minefield. As I wrote on this Blog back in February, authors need to be aware of “the good, the bad and the ugly about self-publishing.”

And so we return to Tron, trolling the internet, seeking information about resources for authors and feeling overwhelmed with choices. It has never been easier for authors to get published, or to be separated from money without getting adequate help to sell their books.

If you have written a book you want to publish, whether you pursue traditional or self-publishing, print or digital, traditional booksellers or direct to reader, tread carefully! “Biggest” is not always best and “cheapest” is rarely a bargain.

Get a first, second and possibly third opinion from people with experience at successfully producing and marketing books in your genre. Join writing groups, attend conferences, talk with consultants and network. Read leading industry magazines, take classes, read the insides of books to look for names of publishers, editors, agents and others who helped bring the book to you. Get to know published authors. Immerse yourself in the literary world, including both the writing craft and the marketing know-how. Read the Booked blog! Feel free to contact me for more information. You may feel overwhelmed at times but, like the programmer in Tron, you will emerge victorious.

Shout-Out

No relationship to Booked but I want to congratulate my son, SPC. Ian V. Delmar, on earning the Distinguished Honor Graduate designation from the U.S. Army Advanced Individual Training, Class 15-13. Top of the class!