Monthly Archives: June 2013

Big News from Booked

Could be!
Who knows?
There’s something due any day;
I will know right away,
Soon as it shows.*

I’m thrilled to report that Booked will debut its weekly half-hour video webcast on July 8th!

You’ve waited patiently. Now come the rewards. Every Monday, starting July 8th, Booked will present a lively new book review with an author or editor interview. From the moment the show is first broadcast, it will be available 24/7 from any computer with internet access. After one week as the featured show, it will remain available in our Archives. You’ll be able to find our shows at several websites, including (my favorite, of course) www.bookedwebcast.com and www.fenmark.net; also via UStream.

The Booked website will also debut a Book Excerpts page where you can find every book we’ve reviewed, easy to locate by the book’s cover, air date, title or author. Each excerpt will include a “Buy The Book Now” link, among other user-friendly features. You can go from watching an interview to reading an excerpt, or vice versa, then buy the book — all through the Booked website.

Booked is an innovative concept. Our marriage of new technologies with proven PR techniques is attracting great authors with noteworthy books that we present to booklovers around the world. The authors I interview have fascinating back stories that enhance the reading of their books.

As I writer, I know it is easier than ever to get books published but harder than ever to get read. Many worthwhile books get lost in a vast universe of 350,000 new titles annually. As a former award-winning public relations pro, I know how to build awareness among target audiences. As a booklover, I’m thrilled to find shining stars in the book universe and bring them to you.

Starting next week, this blog will feature details about upcoming shows.

Could it be? Yes, it could.
Something’s coming, something good,
Come on, something, come on in, don’t be shy,
Pull up a chair!
The air is humming,
And something great is coming! *

*with thanks to Stephen Sondheim whose lyrics from “West Side Story” I’ve borrowed and re-arranged

Shorts in the Summer

Summer calls for shorts. Not just the kind you wear. The kind you read. Winter is a good time to pick up a novel, a memoir, a complex text. Something you can sink your teeth into like a thick stew that fills you up with comfort through long, cold nights. But summer is all about brevity. A day at the beach. A cool mouthful of ice cream. Something comfortable you can dip into and out of. This doesn’t mean short stories are flimsy, fly-away and forgettable. Some of our greatest literature is found in the short stories of such authors as Fitzgerald, Poe, O’Connor, Chekhov, du Maurier, Asimov, de Maupissant. . . and my personal hero, O.Henry. The list could go on well beyond summer. Great writers understand the challenge and power of the short story.

It’s true that a full-length story establishes lasting relationships through details and complexities of plot that a short story lacks. But a well-crafted short story can stay with you far beyond its reading. If you think that fewer words mean less intensity, I offer up what is possibly the shortest story ever written and challenge you to remain unmoved:

“For sale. Baby shoes. Never worn.” This six-word story is often attributed to Ernest Hemingway, although it has never been verified. Does it matter? You get the point.

You can find great short stories in collections by a single author or in literary journals such as Tin House, Granta, Ploughshares, Crazy Horse, Black Warrior, Prairie Schooner and Glimmer Train.

Whether you pick up a collection of classic shorts or prefer contemporary fashions (check out the shorts of Harry Crews, Bobbie Ann Mason, Stephen King, Lorrie Moore, Jim Shepard and Annie Proulx) – it’s summer and you really should try on some shorts!code>

Do Writing Contests Matter?

Would you turn down an award for something you created? Of course not! Everyone wants recognition for their efforts. If money is part of the recognition, so much the better but (especially when the effort comes from the heart) financial gain is often of secondary importance.

The proliferation of writing competitions is the result of economics. The income from contest entrants often subsidizes publications that cannot rely solely on advertising or subscriptions for their existence. Some organizations have built their business on contests.

The May/June issue of Poets & Writers devotes a lot of space to a discussion about writing contests and literary prizes – have they lost their value to authors? To readers?

With writing contests appearing around every corner and under every rock, has the increase in awards diminished how we view them and the work that earns them? The consensus of agents, editors, publishers and writers is no. So keep submitting your work! BUT, as you do with everything else that matters in your life, proceed with careful consideration.

Well-managed competitions serve everyone: authors, agents, publishers and readers. Winners have their work recognized by more audiences and boost their chances for future work being published. Those who don’t win get practice in their craft and in the skill of submitting their work for review. Literary publications that sponsor competitions remain in business, offering their books and magazines at affordable prices.

Like most things that proliferate, you get a lot of bad along with the good. Entering contests willy-nilly can suck the life out of you. Before you know it, you’ve thrown away valuable time as well as money, either because the contest has a poor reputation or because you have no chance of winning. Your work is your brainchild – why entrust your child to just anyone?

Poets & Writers offers “seven strategies for a more efficient (and hopefully more effective) process of submitting your work to contests”: Finish first; Know your sponsoring organization; Judge your judge; Follow the rules; Don’t get fancy; Keep track; Keep writing. If you are considering entering writing competitions, or improving your chances of winning them, this article provides invaluable specific advice. If you want to understand the impact of literary prizes in today’s competitive publishing world, this issue of Poets & Writers should be on your reference shelf.

Writers Helping Writers

Accepting the 1954 Nobel Prize in Literature, Ernest Hemingway said, “Writing, at its best, is a lonely life.” He was, of course, one of America’s all-time literary giants. But, despite his adventurous lifestyle, he was a lonely man who, in the end, took his own life.

I disagree with his assumption that writing only comes to those who acquiesce to a lonely life. Creating literature begins long before the commitment of words onto paper or into computer. The very act of writing invites voices and characters into one’s mind that take on their own life. While writers need time alone to contemplate what is churning in their minds, interacting with the world is how writers spend most of their time.

One of the most helpful activities writers can – and should – engage in is connecting with other writers. Absorbing the energy of other creative minds, getting feedback on works in progress and getting support when progress feels thwarted pays off in big dividends: possibly financially, usually creatively, always emotionally.

Fortunately, the internet has broadened opportunities for writers to connect. From almost anywhere in the world, we can find similar-minded individuals and groups that meet in person or via the internet. Writing groups may specialize in a genre or be open to all literary forms. Some are free and some charge a fee.

One such group, Jane's Stories Press Foundation (JSPF), is an international organization promoting emerging and established women writers, focusing on women under 25, over 50, and women of color. Programs include online writing circles and an annual writers retreat. Member Kamala Sarma says, ” Jane’s Stories Press Foundation has helped greatly in unblocking the writer in me, truly liberating!”

The Off Campus Writers Workshop (OCWW) has offered a weekly group meeting in Winnetka, Illinois for more than 60 years. Writers gather to hear acclaimed speakers address every conceivable genre and hone their writing skills. OCWW president Brenda Rossini says, “We have thrived because of the program’s excellence, a focus on essential cogs in the writing wheel, and, most important, the bonhomie and creative exchanges amongst our speakers, members and guests.”

Midwest Writers Association (MWA) is a networking base for experienced, professional non-fiction writers. Although their members work across the media spectrum, many write books that benefit from the same interaction sought by fiction writers.

Meet-up groups for writers have popped up all over. Finding one that suits a writer’s particular interests is a mouse click away.

I would be happy to help promote any writers support group through my blog. If you lead one, please let me know by clicking on “Book●ed Revealed” at the top of this page and follow the contact link. Please provide details in the message section.

Writing, at its best, can be a lonely life. But it doesn't have to be.

Chatting About Chaps

Pity the poor chapbook. Although it has been around for nearly 500 years, it never makes the best seller lists. In fact, many people have no idea what a chapbook is – I never heard of the term until I attended a writers retreat several years ago. Oh, how times have changed!

Chap books are believed to have originated in England in the 1500s as small, cheaply produced books for people whose literacy was limited and who could not afford expensive books of those times. They were printed using woodcuts and were sold by traveling peddlers called chapmen. Chapbooks typically contained romantic tales of chivalry, religious and moral instruction, cookbooks, guides to fortune telling and magic, and bawdy stories full of innuendo (the same topics that sell well today). Some displayed graphic art.

As the process and machinery of printing was refined publishing became cheaper. At the same time literacy improved. Books that once were accessible only to the wealthy and educated became more available to the general population and the need for chapbooks waned.

Today’s vast publishing capabilities have brought back the chapbook in interesting ways. They are enjoying a revival of sorts. They remain a perfect format to present a short story or small collection of poetry but have left their primitive look in the past. Now, the best chapbooks are works of art, emphasizing original design as well as featuring original writing. Their publishing run is limited, typically 100-300 copies. Chapbooks have become the coveted treasures of collectors who appreciate the value of an original work of art that is in limited supply, that can be held in the hand and that touches many senses.

It is less likely that you will find chapbooks in big chain stores and book discounters. So take a trip to your local independent book store and see if they have a Chapbook section. If they don’t, share some of this information with them and suggest they devote a corner of their store to this lovely and growing revival.

Recommended

To sample chapbooks and so much more, come to the 29th annual Chicago Tribune Printers Row Lit Fest June 8th and 9th. This is the largest free outdoor literary event in the Midwest with more than 150 booksellers from across the country displaying and selling new, used and antiquarian books. Several renowned authors will offer insights and entertainment at various presentations throughout the event. All events are free but tickets must be reserved for select programs. For details visit Printers Row Lit Fest.