Monthly Archives: March 2013

451 Degrees – Part 1

Noted author Judy Blume once said, “Fear is often disguised as moral outrage.” I pondered this concept – one I happen to agree with – as I read a Chicago Tribune story about a student-run book club at Chicago’s Lane Tech College Prep High School. The club is called 451 Degrees, the temperature at which book paper burns in Ray Bradbury’s classic 1953 futuristic book about a repressive America that confiscates books and burns them. The Lane Tech book club was created by 16-year-old student Levi Todd with the express purpose of reading banned and controversial books.

Earlier this month, Chicago Public Schools issued a directive that removed all copies of the highly acclaimed, award-winning autobiographical graphic novel* Persepolis from seventh-grade classrooms because of “powerful images of torture.” Author Marjane Satrapi defended the book about her childhood during the 1979 Iranian revolution, noting, “These are not photos of torture. It’s a drawing and it’s one frame. . . Seventh graders have brains and they see all kinds of things on cinema and the internet.” (*For more about graphic novels, see last week’s Book●ed blog Let’s Get Graphic.)

As a parent, I am sensitive to the challenges of protecting children from unnecessarily disturbing or inappropriate words, images and values (whatever we deem them to be). The key word is unnecessarily; the concept is very subjective. In reality, we cannot protect our children from disturbing or inappropriate words, images or values. In today’s world, they are all around, seeping into our everyday lives. If we close our eyes to this reality, we fail our children and our society. Ignorance is not bliss.

We can do better by our children and our society by being vigilant about controversial books – not by jumping the banned book bandwagon, but by reading those books and discussing the aspects that have raised the controversy. We could all learn much about our world and the people in it and the events that shape our lives – and our future.

(continued in next week’s Book●ed blog)

Recommended

American classics that have been banned or challenged around the country include The Great Gatsby by F. Scott Fitzgerald; The Catcher in the Rye by J.D. Salinger; The Grapes of Wrath by John Steinbeck; To Kill a Mockingbird by Harper Lee; and The Color Purple by Alice Walker. For more about books in the U.S. that have been challenged as well as information about classic novels that have been challenged and/or banned, please see Frequently Challenged Books.

Let’s Get Graphic

When I was a kid, comic books shared shelf space with more serious literature. Black Beauty and Little Women were flanked by the likes of Archie, Superman and MAD Magazine (which originated as a comic before it morphed into a graphic magazine to avoid the strictures of the Comics Code Authority). Most of us read comics, either casually or loyally, when we were young. As we left childhood, we graduated to “real” literature — books without drawings. The emergence of graphic novels has, unfortunately, been dismissed by many of us as just another form of comics.

Some graphic novels are like fast food: easy to consume, not meant to be memorable. But many graphic novels are worth a closer look. Beyond Japanese manga or DC and Marvel comics, some graphic novels are true works of art in every sense. When the author is also the illustrator, we see with the author’s eyes rather than with our mind’s eyes. For traditional readers, this takes getting used to. The effort is rewarded because we can imagine what the author wanted to convey through design as well as words; when text is limited, graphics must convey to us what a character is thinking or what action is taking place.

The best graphic literature – novels and non-fiction — are on par with the best traditional literature. Maus aka Maus: A Survivor’s Tale — My Father Bleeds History by Art Spiegelman recounts the dark history of the Holocaust, depicting Jews as mice and Germans as cats; it won the 1992 Pulitzer Prize. Other graphic works of note were subsequently adapted into well-received movies. They include Iranian-born Marjane Satrapi’s autobiographical novel, Persepolis, about her childhood during the country’s Islamic revolution (a 2007 Cannes Film Festival winner and Oscar nominee); V for Vendetta (a 2005 film adaptation of the 1982 graphic novel by Alan Moore and David Lloyd); and 300 from the graphic novel by Frank Miller. Two graphic novels made the short list to win the prestigious 2012 Costa Book Awards, one of the UK’s most prestigious and popular literary prizes: Bryan Talbot’s graphic memoir Dotter of Her Father’s Eyes and Jeff Winterhart’s Days of the Bagnold Summer.

My Book●ed webcasts would certainly welcome any submissions from authors of graphic literature to be interviewed on my show. Meanwhile, don’t dismissively walk past the shelves of graphic novels at your library or book store. If you look closer, you just might find an artistic masterpiece.

It’s About the e in Read

I have a bundle of letters, tied in a pale pink satin ribbon, that my mother saved nearly 70 years ago. The letters were sent to her from, or about, my father when he was in the U.S. Army; when he was in training, in combat, missing in action, discharged, always longing to come home to his wife and young son (I was not born yet). I’ve read and re-read these letters, many written in my father’s hand. I treasure this remnant of the life he lead and the love he had for his family, to know what he (a quiet, reserved man) thought and felt during those important years in his life. Had eMail or Skype technology been available to my father during World War II, I would have no record today of the person he was at that time or what he experienced. As wonderful as the ease, speed and reach of using eMails is today, think of how much is lost in the infinite universe of the internet when we forego the archaic use of paper, pen and the postal service.

I mention this because of the explosive growth of eReaders and eBooks. Kindle. Nook. Kobo. Cute, simple names for the handy eReaders that have revolutionized everything about reading in the modern world. Friendly, cozy, endearing names for technical wonders that put a veritable world of literature and useful information at our fingertips. EBooks cost less than their printed and bound counterparts. They may contain immediate links to additional information or insights, which are not accessible from traditional books. EReaders can be tucked into a pocket or purse. They instantly make a virtual library available wherever you are. So many reasons to welcome modern technology into our reading lives. Yet the awareness of specific literature is more likely to evaporate into the “cloud” universe of e-technology once it has been viewed and returned to the world of bits and bytes storage. Literature that is solely in eBook format is more likely to be lost to future generations. E-literature is less likely to be serendipitously discovered while browsing titles on spines of book, standing like sentries in rows upon rows of bookshelves.

Call me an old-fashioned gal; I’m usually late to the high-tech dance. Although I recognize the many advantages of getting my lit fix via an eReader, I love the look, feel and smell of traditional books. I like the artistry that goes into the production of a hardcover book or a quality trade paperback: the choice of typeface, the grade of paper, the choice of cover graphics. I like a book that has a history when it comes to me, or begins a history after I’ve purchased and read it. I like my favorite books to remain as companions on my bookshelves, reminding me of the intimate journeys we shared.

An eReader is certainly going to be in my future. For Book●ed to cover the wide spectrum of what is being published and read, it is necessary for me to familiarize myself with all aspects, including eBooks, one of the fastest growing segments of the publishing industry. I will appreciate the ease of accessing a world of literature with the touch of a button. But traditional books, real books, will always be my first love.

Guilty as Charged

In the 1998 romantic comedy You’ve Got Mail, Meg Ryan loses the lovely little independent bookshop (“Little Shop Around the Corner”, an homage to the 1940 Ernst Lubitsch gem) she inherited from her mother and which she cherished. But she gets cute, multimillionaire mega-bookstore scion Tom Hanks and that makes for a happy ending. Sort of. For those of us who are not provided a very rich, attractive love interest in exchange for the closing of a favorite bookstore, life can be bitter indeed.

As large bookstore chains proliferated in the past couple of decades, local independent shops left the landscape because they couldn’t compete with the discount prices offered by the chains. Few foresaw the impact of Amazon (launched in 1994) and other internet booksellers that joined forces (or competed) with the chains. After Borders Books & Music (founded in 1971) – one of the world’s most expansive book retail chains — was taken over by equity investment buyers, then passed from one investment group to another without concern for books or the people who love them, it declared bankruptcy and closed in 2011.

In the past couple of years, I have seen the closing of one of the greatest independent bookstores – the legendary Bookman’s Alley in Evanston, Illinois – and two Borders stores in my area. Bookman’s Alley closed in July 2012, because owner Roger Carlson reluctantly retired after more than 3 decades of building a loyal clientele and awed admirers. Borders closed because its owners were really in the money business, not the book business.

Like many people, I look for the best prices on books I want to acquire. I buy them for a quarter a pop at my local library (comforting myself with the knowledge that my library gets the money), or at used book stores (helping staff there earn a living, I tell myself), or through Amazon and e-Bay (congratulating myself for being a thrifty shopper). I’m guilty as charged.

After once again watching Nora Ephron’s ode to romance, books and the Upper West Side of New York, I’ve decided Meg’s Little Shop Around the Corner – and all the little bookshops around the corners of our neighborhoods – are worth saving. I’ve committed to buying at least 6 books from my local independent bookstore every year. And hope it will continue to serve up the love of books I feel.

If you have a favorite independent book store, let me know about it – name, town/state/country – and what makes it special. I may post your reply in a future blog. In the mean time, please post a response with your favorite independent book store or just a comment.

Hello, My Name Is . . .   The Importance of Book Titles

Have you ever been turned on to — or away from — a book because of its title? I thought about this as I read that the London-based book industry publication The Book Seller recently announced its 35th Diagram Prize competition for the Oddest Book Title of the Year. Philip Stone, coordinator of the Diagram Prize says, “There is a cliché that you can’t judge a book by its cover, but I think people do so, the cover and the title.” Over the years, this humorous promotional invention moved from a group of judges to popular voting. The results are entertaining; last year’s winner was Cooking with Poo. Turns out that’s a Thai cookbook by a chef whose nickname is Poo. Stone says an unusual title, especially for a novel, can help attract people to pick it up, read the synopsis, and make them more likely to buy it. Examples he gives include A Short History of Tractors in Ukrainian (sold almost 1 million copies) and The Curious Incident of the Dog in the Night-Time (sold more than 2 million copies). Doesn’t it make you wonder what other book choices those nearly 3 million readers had!

Speaking of great books, did you enjoy reading Trimalchio in West Egg? Never heard of it? How about Among Ash-Heaps and Millionaires or Under the Red, White, and Blue or The High-Bouncing Lover? Those are all titles that were considered by F. Scott Fitzgerald before settling on The Great Gatsby, an iconic American classic. Fitzgerald was partial toward the obscure Trimalchio in West Egg, briefly referenced in the novel, but his editor, Maxwell Perkins, convinced Fitzgerald to go with The Great Gatsby. Would the novel have fared so well with Fitzgerald’s first choice?

George Orwell’s publisher convinced the author to change his futuristic novel’s title from The Last Man in Europe to the strikingly simple 1984. After Ayn Rand’s husband suggested she retitle The Strike because it gave away too much of the plot, her 1957 novel became Atlas Shrugged. The title of Joseph Heller’s satirical look at war bounced from Catch-11 (when the popular movie Ocean’s Eleven came out) to Catch-18 (until Leon Uris’ novel Mila 18 became a hit) and finally settled on Catch-22, a title that would not run the risk of confusing potential buyers. It’s hard to imagine these books by any other names.

Well-established writers have a bit of leeway with their book titles. Stephen King’s The Shawshank Redemption and Louise Erdrich’s The Master Butchers Singing Club come to mind. Lesser known authors should give as much attention to their titles as they do to their manuscripts. The book represents the author and it is the first impression an author makes on the desired reader. Being a title amongst many on a bookshelf in a store or on a website listing, competing for attention, is akin to speed dating. The ones that best anticipate needs and desires (of readers) are the ones taken out for a good time. Remember that, next time you write or read a book.

Recommended

Literary agent Rachelle Gardner offers a wealth of suggestions for authors who are considering titles for their latest book. You can read these at how to title your book. For a list of tossed titles from more classic books, visit what 10 classic books were almost called. If you're curious about other past winners and the short list for the 2013 Diagram Prize, visit www.thebookseller.com.